Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
My Wife Found Sweaters She Knitted for Our Grandkids at a Thrift Store – She Was So Heartbroken, I Had to Teach Them a Lesson
I just discovered that occasionally extreme tactics are necessary to get your message across to someone. Grounding my grandchildren for what they did to my wife wasn’t going to be a sufficient lesson in this case. I set them a challenging task to ensure their redemption. I, Clarence (74), have always thought my wife Jenny (73), is the loveliest and most kindhearted person. This was particularly true with regard to our grandchildren. She knits them exquisitely detailed sweaters every year for their birthdays and Christmas. She puts all of her heart into this tradition. She would frequently begin new initiatives more earlier than necessary.
This was done to guarantee that every child received a unique item created particularly for them. She would make the kids stuffed animals for their birthdays. Maybe a blanket for the grandchildren who are older. We just had a trip and decided to stop by our neighborhood thrift store last week. For our landscaping project, we were trying to find some old-fashioned pots. What was supposed to be a relaxing trip became an unforgettable, heartbreaking experience!Something I wish we could take back from our shared history. My wife stopped as we were browsing the aisles. Her gaze fixed on something, causing her to momentarily stop. “What the heck is that? She questioned, gesturing with a quivering finger, “Am I seeing things? The sweaters she had crocheted for our grandchildren were hanging there among a gazillion other trashed stuff! All of them were for sale! Among them, there was a blue-and-grey-striped one that was definitely the one Jenny made for our oldest grandchild last Christmas.
\It was clear from the expression on her face. She stretched out and caressed the fabric softly, and her heart broke. She tried to hide her pain with a grin and a repression of tears. Her voice was barely audible as she said, “It’s okay, I understand that kids might be embarrassed to wear grandma’s sweaters.” I could hardly contain my emotions as I drew her closer for an embrace, realizing how hurt she was. No, this wasn’t acceptable, and unfortunately for our family, my wife was more understanding than I was. They committed a heartless, destructive, and blatantly cruel act! Even though she maintained her composure, I couldn’t help but feel furious! Once I was sure she was asleep, I went back to the thrift store that evening and bought back everything she had made! I had made up my mind to put this right. I made the decision to impart a significant life lesson to our grandchildren without even speaking to my wife! One that would instill in them the value of showing gratitude for future blessings. I made a package for each grandchild the following day. I put wool, knitting needles, and a basic set of knitting instructions inside each. I added a picture of the sweater they had thrown away along with a severe note that said, “I know what you did.” You had better start knitting your own gifts now!”Grandma and I are coming for dinner, and you better be wearing her presents,” I said in my note. Alternatively, I’ll notify your parents and you won’t receive any further gifts for birthdays or Christmas. As one could guess, there was a wide range of reactions! A few of the grandchildren apologized sheepishly over the phone. They acknowledged that they were unaware of the significance of these gifts. Some remained mute, maybe feeling awkward or not knowing what to say. But the point had been made. When dinnertime finally arrived, there was a palpable sense of excitement. Our grandkids arrived one by one. All of them wearing the sweaters that nobody thought were worthy. To be very honest, some of the art they produced was absurdly poor! The one short design and one long hand made me chuckle uncontrollably! Some sweaters were obviously dropped mid-project, while others were simply too large! Not a single reproduction could have done MY Jenny’s original work justice. When sincere regret was expressed through their apologies, the tension subsided. Our oldest grandchild stated to their parents, “We are so sorry for taking your gifts for granted, Grandma,” while their parents watched. “We swear never to give away anything you’ve lovingly made for us ever again.” They made an attempt at knitting. They became aware of the passion and work that went into every stitch as a result. “Our oldest grandchild admitted that this was harder than he had anticipated, Grandpa.”
He continued tugging at the sleeves of his hurriedly constructed attempt as he spoke. Another person said, “Yeah, I’m sorry, Grandma,” with wide eyes. “It took me hours to finish one section of a scarf!” Bless her heart, my wife pardoned them, giving each one her customary warmth and compassion. “I’m amazed you got them to do this much!” Jenny loved our grandchildren and turned to face me. I needed to take action, my darling. I couldn’t allow them to believe that your gifts were just throwaway objects. I knew I had made the right decision when we embraced and she opened her warm heart to me. The laughter increased and the mood lightened as we ate dinner. This difficult lesson bonded everyone. It served as a helpful reminder of the importance of recognizing and appreciating one another’s work. Ultimately, our grandchildren gained knowledge about love, respect, and the elegance of a handcrafted gift in addition to learning how to knit a basic stitch. My wife felt better when she saw that her efforts were eventually recognized. I discovered how much of an impact she had on bringing our family together. The grandchildren added one more thing as we were wrapping up our dinner: “We promise to cherish our handmade gifts forever.” A promise that brought my wife more warmth than any sweater could have! I said to them, “I have one last surprise for you all,” before I left. I ran to the car and returned with a bunch of big plastic bags. “Open them,” I told our grandchildren. When they discovered every sweater Jenny had given them, they were all beaming with happiness. When they transitioned from their awful attempts at knitting to the flawless sculptures my wife had made them, they were like completely different persons. “Grandma and grandpa, thank you so much!” they exclaimed as they gave us a warm hug before we left. The spouse of a woman in the following tale was in need of some important life lessons. Before she put her foot down, he had developed the poor habit of making purchases—big and small—without getting her approval.
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