We all have about 22,000 genes and sometimes we share enough genes with our family to be an almost identical copy of them. Although there may be 50 years between the 2 photos, their faces look the same thanks to the magic of these genes. There are some people who are carbon copies of their relatives, confirmed by their photos that simply blow us away.
Bright Side would like to share with you just how cool our genes can be with some exceptional photos we found.
1. “My mom and sister, both at age 6”
2. “My mom (left) age 4 in 1971. Me (right) age 4 in 2001. I see why people say we look alike.”
3. Grandmother 1941 and granddaughter 1999, same genes
4. “Me, 1992. Mom, 1954.”
5. “Here’s me and my fraternal twin.”
6. “Me on the left (circa ’90s, Canada) and my grand-dad (circa ’40s, Ireland).”
7. “My old man and me at the same age, 35 years apart.”
8. “Me in 1971 and my son in 1994”
9. “My mother at age 21 (L) and me at age 27.”
10. “My father, age 24 in 1951. And 24-year-old me.”
11. “I always knew that my mom and sister looked alike, but seeing them side by side is uncanny.”
12. “My brother (2016) and my grandfather (1948)”
13. “I’ve been told a lot that I look like my Finnish grandma.”
14. “My dad 1958… Me 1988.”
15. “Side-by-side comparison of my identical twin and me.”
Who do you look most like in your family? Share a photo of someone you look like so that we can compare!
Breaking: Whoopi Goldberg Stands in Support of Beyoncé, Vows to Leave the US with Her, “Beyoncé Is Country, I Can Assure You”
Goldberg’s departure from the United States, accompanied by Beyoncé, goes beyond mere personal support. It serves as a powerful declaration against the stifling cultural constraints that artists encounter when venturing into uncharted territories of creative expression. Goldberg elucidated, “When an artist as renowned as Beyoncé encounters resistance and criticism while exploring her musical roots and inspirations, it becomes evident that it is imperative to seek a haven that truly values and embraces artistic liberty.”
The planned departure of Goldberg and Beyoncé has ignited a broad conversation about the demands on artists and the significance of genres in music. Professionals in the industry contend that music, as with any art form, should be progressive and innovative. Dr. Lena Morris, an ethnomusicologist, remarks, “Genres have consistently transformed. The country music we perceive as ‘pure’ today was actually a fusion of blues, folk, and gospel music from the past. Beyoncé’s contributions carry on this legacy of mixing and reimagining.”
Advocates for Goldberg and Beyoncé emphasize that their departure could bring attention to the larger problem of minority artists being typecast into particular genres and pressured to remain in those boundaries. The online community has witnessed an increase in messages and hashtags such as #ArtistsWithoutBorders and #GenreEvolution, as supporters and peers express their opinions on the necessity for a broader and adaptable interpretation of music genres.
On the other hand, there are critics who argue that Beyoncé and Goldberg’s decision to leave the country may be seen as an exaggerated response. They propose that challenging the existing norms from within could potentially bring about more significant changes in the industry. Music critic Jason Keeler expressed, “Although I understand their frustration, abandoning the U.S. music scene could be interpreted as giving up rather than striving to broaden the scope of country music.”
As the ongoing debate persists, it is evident that the impact of Beyoncé’s Cowboy Carter and the resulting controversy has surpassed the realm of music, delving into deeper issues of cultural identity and artistic integrity. The discussions it has sparked regarding genre, race, and the future of the music industry are likely to shape how artists are perceived and granted the freedom to express themselves.
Looking forward, the departure of Goldberg and Beyoncé could establish a new standard for artists dealing with similar challenges, indicating that the international music scene may evolve into a fresh arena for creative freedom. This action might inspire more artists to search for environments that embrace diverse forms of artistic expression, potentially leading to a more interconnected and less genre-restricted music landscape.
In summary, Whoopi Goldberg’s choice to support Beyoncé and depart from the United States marks a pivotal moment for the music industry. It emphasizes the necessity for greater openness to artistic exploration and raises complex issues regarding cultural authenticity and the transformation of music genres. As these influential figures prepare for their next phase, the world observes and anticipates the impact of their bold decisions on the cultural realm.
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