It’s been years since *Three’s Company* was on TV, but the laughs it brought us are still fresh in our minds.
With its memorable characters and hilarious mix-ups, this classic show changed the world of sitcoms forever. Now, Joyce DeWitt shares what truly made *Three’s Company* a show we’ll never forget…
From the funny adventures of three single roommates to the unforgettable acting of John Ritter and Suzanne Somers, *Three’s Company* is still a favorite on American TV. It’s hard to believe that 40 years have passed since the final episode aired on ABC, yet the show’s charm and humor continue to entertain us.
To show just how long it’s been, I recently watched the intro. The scenes at Santa Monica Pier remind me of how much has changed since the show was filmed.
Sadly, both John Ritter and Suzanne Somers have passed away, leaving us far too soon. But Joyce DeWitt, now 75, keeps the spirit of *Three’s Company* alive by sharing her stories and memories of the beloved show.
“The most dear, precious, tender – and utterly unexpected – experiences that have come from working in *Three’s Company* are the many, many adults who have told me that *Three’s Company* was a safe haven they could count on during their teen years – for some, the only safe haven,” Joyce DeWitt told *US Weekly*.
Playing Janet Wood alongside John Ritter and Suzanne Somers, Joyce DeWitt became a TV star and brought joy to millions of viewers.
She appeared in 171 episodes of *Three’s Company* from 1976 to 1984.
“It was such a gift. I mean, it was iconic. But who would have thought it?” Joyce DeWitt told *The Spec*. “All we wanted to do was make people laugh. When I think about it, the show was really like a modern version of a 16th-century comedy. It was all about crazy fun. We talked about serious issues sometimes, but that was always in the background.”
“John Ritter used to say, ‘We don’t want people to just laugh but to fall over their couch laughing,’” she added. “But in the end, it was about the deep friendship and love the characters had for each other. That’s what made people love them.”
After *Three’s Company* ended, Joyce DeWitt took a break from the spotlight for over ten years before returning to acting.
No matter what she has done or plans to do in the future, most people will always remember her for that iconic show. And according to DeWitt, there’s a simple reason for this.
“It was a ‘time out’ from the tough, stressful situations young people were dealing with in their lives,” DeWitt explains, adding:
“And, of course, they say the characters did silly, crazy things that made them laugh. But it was the love, trust, and support between the characters that made fans stay with the show for life.”
In unedited photos from the *Three’s Company* set, the close bond between the cast is clear, especially in the pictures of Joyce DeWitt and Suzanne Somers, who played the much-loved Chrissy Snow.
Both actresses gave memorable performances, portraying young women making their way in a male-dominated world. Their contributions were just as important to the show’s success as John Ritter’s, and in those early days, their smiles in the photos show a sense of friendship and teamwork.
But beneath the laughter, tensions were brewing. While Somers was praised for her role as “the dumbest blonde in America,” her push for equal pay led to growing conflicts. She demanded a 500% salary increase, from $30,000 to $150,000, which put a strain on her relationship with DeWitt. What was once a joyful set became a place of tension and disagreements.
Suzanne Somers always saw *Three’s Company* as a serious business and took her role as an actor very seriously, but she knew this approach bothered her co-stars.
Eventually, Somers was fired but still had to finish the fifth season under strange conditions. She was kept apart from the cast, filming her scenes through odd phone calls while escorted by security. The tension grew, leading to a painful break between Somers and Joyce DeWitt.
For over 30 years, they didn’t speak, a long silence that felt difficult to understand when you looked back at their early friendship on the show.
“They painted me as if I was trying to ruin the show,” Suzanne Somers said in 2020. “So, I never talked to anyone on that show ever again. Ever again.”
Some people thought that Joyce DeWitt’s rivalry played a role in Somers’ departure, but it was really the salary negotiations that caused the rift between them.
Their different situations made things more complicated — Somers was a single mother who needed financial security, while DeWitt was more focused on her acting. This added to the strain on their relationship.
“We had very different approaches to our careers,” Joyce DeWitt said about her relationship with Suzanne Somers after the show. “We had very different needs. I didn’t have a child to support on my own. I didn’t have a business mindset, so I didn’t understand someone who did.”
But in a wonderful turn of events, the two finally reunited in February 2012 on Somers’ talk show, *Breaking Through*. It was clear they had made peace.
The former co-stars shared a heartfelt hug, and their open conversation about the past showed signs of healing.
DeWitt expressed her deep admiration for Somers, saying, “You went up against ruthlessness, and it came down, but what you’ve gone on to do is immeasurable.” This touching moment highlighted the strength of their journey and the power of forgiveness. The two actresses remained friends until Somers’s sad passing in 2023.
In an interview with *US Weekly*, Joyce DeWitt spoke warmly about her late co-stars, honoring the lasting impact they made. Reflecting on Suzanne Somers, who passed away from breast cancer, DeWitt described her as “absolutely wonderful.”
She also paid tribute to John Ritter, who died in 2003 during heart surgery, calling him “a true gift.”
Looking back at the photos from *Three’s Company*, we are reminded of a different, happier time—one filled with laughter, friendship, and unforgettable memories. These images not only capture the joy the cast brought to TV screens but also highlight the lasting legacy they have left behind.
Kathleen Turner, star of ‘Serial Mom’ fame, has gone through ups and downs
Kathleen Turner rose to fame in the 1980s with her strength and attractiveness – many consider her one of the most beautiful actresses in Hollywood.
It is this fortitude that has helped her through the many goods and bad times the actress has experienced over the years.
Kathleen Turner had a rough childhood and was raised in a family with four children. She and her siblings grew up in London and Venezuela. Tragedy befell her at a young age when her father unexpectedly passed away while mowing the lawn of their Hampstead home.
A month after his death, Kathleen and her family were kicked out of the UK by the foreign service. Turner and her family settled in Springfield, Missouri, all still grieving their father and former home.
As an adult, Tuner finally found peace after moving to New York to pursue an acting career. She had some luck on the stage – but her biggest break came when she was given the role of the femme fatale in 1981’s “Body Heat.”
Three years after starring next to William Hurt, Turner was given a chance to co-star with Michael Douglas in the famous “Romancing the Stone.” Douglas was in a rocky separation from his wife Diandra at the time of filming, and he and Turner developed some feelings for each other.
“We were in the process of falling in love – fervent, longing looks and heavy flirtation. Then Diandra came down and reminded me he was still married,” Kathleen said.
She eventually married the property developer from the film, Jay Weiss, in 1984. The two had their only daughter together soon after. Rachel Ann Weiss was born on October 14, 1987.
Unfortunately, the couple’s relationship began to fracture as they started raising their daughter.
“I’d make the movie companies give me long weekends or provide extra tickets so my daughter and husband could come to me. But there was a sense in the marriage the effort was all on his side, which made me feel guilty. It was one of the reasons it ended. I started to feel very oppressed. I thought, ‘Hang on a minute, you’ve done very well out of being married to me also,’” Kathleen explained.
In 2005, Turner starred as Martha in the Broadway revival of “Who’s Afraid of Virginia Woolf?” and it was then that their marital problems came to a head. Turner became incredibly busy while acting in eight shows a week, and it appeared that Weiss wanted no time with her when she was home.
The two divorced amicably during that time, and Turner earned a Tony award nod for her time as Martha.
The star had also earned an Oscar nomination back in 1987 for her role in “Peggy Sue Got Married.” Her film career was alive and well during the 80’s, and she starred in a variety of blockbusters–three of which were with Michael Douglas.
However, in the 90’s, Kathleen experienced a medical setback when her neck locked, not allowing her to turn her head. In addition, her hands swelled to the point where she stopped being able to use them.
“It was crippling,” Kathleen said. “You stop taking things for granted when you lose them, even temporarily. What I took for granted – my athleticism, my ability to throw myself around, and just be able to move however I wanted to. When I lost that, that was a real crisis of self: who am I if I cannot do this?”
The culprit of her misfortune wound up being rheumatoid arthritis, a condition characterized by the swelling of the lining in our joints. This condition causes chronic pain that can be difficult to manage.
“When it was first diagnosed, I was terrified because they said I’d be in a wheelchair,” Kathleen explained. “I thought, ‘If I can’t move, I can’t act.’ Acting isn’t just what I want to do. I was born to do it. It’s at every point of my living. The idea of not being able to do it was the most frightening part – that and the constant pain.”
Kathleen turned to pills and alcohol to manage her pain. While these helped her to work, the habit of drinking vodka led to her passing out during rehearsals for shows like 2002’s stage production of “The Graduate.”
The actress actually went to rehab after the show stopped running, only to find out that she was not an alcoholic. Instead, she was told she simply needed to better track when she was taking her medications and their side effects.
Today, the actress does yoga and pilates to help manage the pain and remain nimble.
While better managing her pain, the star really began to focus on her stage career. While she did still occasionally work in film and television, she returned largely to her roots as she got older, even starring in “Cat on a Hot Tin Roof” on stage in her forties.
“Because I knew that the better roles as I got older would be in theatre, which is absolutely true, so that was a little foresight on my part of which I am justly proud,” Kathleen said.s
Focusing on theatre has also allowed the star the time to focus on her passions of hers, such as volunteering at Amnesty International and working for Planned Parenthood of America.
A staunch feminist for most of her life, Turner has turned her doubtless strength to uplifting other women throughout her life. Her ideologies are represented clearly in Gloria Feldt’s 2008 memoir of the star, Send Yourself Roses.
“We are the first generation of women who are financially independent. Women are going back to work,” Kathleen said. “They’re reinventing themselves. I thought I could support that, even increase that. So it has got a lot of philosophy in it and a lot of my beliefs.”
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