Barbara Bach, famously known for her role as Bond girl Triple X, wasn’t waiting for James Bond to come to her rescue; instead, she was on a quest for her own prince charming—rock legend Ringo Starr, also known as Sir Richard Starkey.
Now at the age of 77, Bach reached the zenith of her career when she starred in the 1977 film The Spy Who Loved Me, where she portrayed Anya Amasova, a complex character who was both the love interest and a rival to the charming yet womanizing 007, played by Roger Moore.
In a candid 1983 interview with People, Bach didn’t hold back her opinion about her character’s relationship with Bond, referring to him as “a chauvinist pig who uses girls to shield him against bullets”. Moore himself agreed, stating in a 1973 People interview: “Bond, like myself, is a male chauvinist pig. All my life I’ve been trying to get women out of brassieres and pants”.
Before landing her iconic role in the Bond franchise, Bach had appeared in several Italian films, including Black Belly of the Tarantula, where she shared the screen with fellow Bond actresses Claudine Auger and Barbara Bouchet.
Bach’s portrayal of the KGB agent Anya Amasova not only solidified her status as a beloved Bond girl but also opened doors to numerous opportunities in her acting career. Following her Bond debut, she starred in Mad Magazine Presents Up the Academy (1980) and Caveman (1981), where she worked alongside Ringo Starr, who played a Neanderthal vying for her affections. Interestingly, the movie’s script contrasted sharply with their actual relationship, as they only became romantically involved towards the end of filming.
In a revealing Playboy feature from 1981, Bach noted: “A lot of garbage has been written about us, none of it interesting. The truth is, we weren’t together until the very end of Caveman. Working, we got along fine, but we each had other people, our respective friends. Then, all of a sudden, within a week—the last week of shooting—it just happened. We changed from friendly love to being in love”.
In a 2021 interview with the Irish Examiner, Starr reminisced about their first encounter at Los Angeles International Airport in 1980. “I love the woman. I loved her from when I first saw her at LAX”, he shared. “I’m blessed she’s in my life, that’s all I can ever say.”
Starr, renowned as the drummer for the legendary band The Beatles, was once part of a performance at New York’s Shea Stadium in 1965, where Bach was present. However, she revealed that she wasn’t an ardent Beatles fan, attending the concert with her sister Marjorie, a passionate follower of the band. “I liked [Bob] Dylan, Ray Charles, and the Rolling Stones”, Bach remarked in a People interview from 1981.
Bach’s sister eventually married Joe Walsh, the Eagles guitarist, who later performed with Starr in the All-Starr Band. Just months after John Lennon’s tragic death, Bach and Starr tied the knot on April 27, 1981, with notable guests including Paul McCartney and George Harrison.
Their journey together hasn’t been without challenges. Just before their wedding, the couple survived a near-fatal car accident, which prompted them to vow to stay together. Starr remarked: “We decided we wouldn’t spend any time apart. So far the longest break was five days, and that was too long. I want to live every minute with Barbara”.
The couple also took a significant step together in 1988 by entering rehab, emerging sober since then. Celebrating their 40th wedding anniversary in 2021, Starr shared a nostalgic wedding photo with the caption:, “It was 40 years ago today The love of my life said yes yes yes”.
Starr and Bach’s love extends beyond their personal lives; they also have a blended family, with Starr having three children from his late wife Maureen Cox and Bach two from her former marriage to Augusto Gregorini. Together, they run the Lotus Foundation, which supports various causes, including animal welfare, substance abuse, homelessness, and cancer research. Starr donates all proceeds from his art sales to the foundation.
There’s no denying the deep affection shared between Barbara Bach and Ringo Starr, a bond that remains as strong as ever. As Bach expressed: “I love the man, and that’s it”. Starr echoed her sentiments, saying: “There’s no escape… I think I love Barbara as much (today) as I did (when we met), and I’m beyond blessed that she loves me and we’re still together”. Their inspiring love story continues to resonate, and fans eagerly anticipate what they will accomplish together in their charitable endeavors and personal lives.
With her blond hair & blue eyes, she was making waves in Hollywood – but look at her now
Kathleen Turner rose to fame in the 1980s with her strength and attractiveness – many consider her one of the most beautiful actresses in Hollywood.
It is this fortitude that has helped her through the many goods and bad times the actress has experienced over the years.
Kathleen Turner was reared in a home with four other children despite having a difficult upbringing. She and her siblings were raised in both Venezuela and London. She experienced tragedy when, at a young age, her father passed tragically suddenly while mowing the lawn of their Hampstead house.
The foreign service expelled Kathleen and her family from the UK a month after his death. Turner moved her family to Springfield, Missouri, where everyone was still mourning their father and their former residence..
After relocating to New York to pursue an acting career as an adult, Tuner at last experienced calm. Although she had some success on the stage, her big break came when she was cast as the femme fatale in the 1981 film “Body Heat.”
Three years after starring next to William Hurt, Turner was given a chance to co-star with Michael Douglas in the famous “Romancing the Stone.” Douglas was in a rocky separation from his wife Diandra at the time of filming, and he and Turner developed some feelings for each other.
“We were in the process of falling in love – fervent, longing looks and heavy flirtation. Then Diandra came down and reminded me he was still married,” Kathleen said.
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She eventually married the property developer from the film, Jay Weiss, in 1984. The two had their only daughter together soon after. Rachel Ann Weiss was born on October 14, 1987.
Unfortunately, the couple’s relationship began to fracture as they started raising their daughter.
“I’d make the movie companies give me long weekends or provide extra tickets so my daughter and husband could come to me. But there was a sense in the marriage the effort was all on his side, which made me feel guilty. It was one of the reasons it ended. I started to feel very oppressed. I thought, ‘Hang on a minute, you’ve done very well out of being married to me also,’” Kathleen explained.
Their marital issues reached a breaking point when Turner played Martha in the Broadway revival of “Who’s Afraid of Virginia Woolf?” in 2005. Acting in eight performances a week caused Turner to become exceedingly busy, and it seemed Weiss didn’t want to spend any time with her when she was at home.
Turner received a Tony nomination for her performance as Martha during that period, and the two split peacefully.
In 1987, the actress received an Oscar nomination for her performance in “Peggy Sue Got Married.” In the 1980s, she continued to make movies and appeared in a number of blockbusters, three of which starring Michael Douglas.
Kathleen, however, suffered a medical setback in the 1990s when her neck locked, preventing her from turning her head. She also lost the ability to use her hands because of swelling in them.
“It was crippling,” Kathleen said. “You stop taking things for granted when you lose them, even temporarily. What I took for granted – my athleticism, my ability to throw myself around, and just be able to move however I wanted to. When I lost that, that was a real crisis of self: who am I if I cannot do this?”
Rheumatoid arthritis, which is defined by the swelling of the lining of our joints, turned out to be the cause of her unfortunate circumstances. Chronic pain brought on by this illness can be challenging to manage.
“When it was first diagnosed, I was terrified because they said I’d be in a wheelchair,” Kathleen explained. “I thought, ‘If I can’t move, I can’t act.’ Acting isn’t just what I want to do. I was born to do it. It’s at every point of my living. The idea of not being able to do it was the most frightening part – that and the constant pain.”
As a pain reliever, Kathleen used booze and medications. Although they made it easier for her to work, her propensity for consuming vodka caused her to pass out during dress rehearsals for plays like the 2002 theatrical production of “The Graduate.”
After the episode ended, the actress genuinely entered rehab, where it was discovered that she was not an alcoholic. She was instead instructed to just keep better note of when she took her prescriptions and any negative side effects.
The actress now practices yoga and pilates to help her manage her discomfort and stay flexible.
The celebrity started to truly concentrate on her theatrical profession while managing her pain better. Although she occasionally continued to work in cinema and television, she mostly went back to her origins as she got older, even starring in “Cat on a Hot Tin Roof” on stage in her forties.
“Because I knew that the better roles as I got older would be in theatre, which is absolutely true, so that was a little foresight on my part of which I am justly proud,” Kathleen said.
The actress has been able to devote more time to her passions by concentrating on the theater, including volunteering for Amnesty International and working for Planned Parenthood of America.
Turner has dedicated her life to supporting other women as a fervent feminist and has done so for the majority of her life. Send Yourself Roses, Gloria Feldt’s 2008 biography of the actress, accurately depicts her ideas.
“We are the first generation of women who are financially independent. Women are going back to work,” Kathleen said. “They’re reinventing themselves. I thought I could support that, even increase that. So it has got a lot of philosophy in it and a lot of my beliefs.”
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