Roseanne Barr, who took to social media to show off a hairstyle that sparked a variety of reactions from her fan base, has become the latest celebrity to try out a completely new look.
Though not particularly original, the idea of celebrities experimenting with their looks and drawing attention is nevertheless appealing. On the other hand, many find fascination and rumors in the constantly shifting fashion choices of A-list celebrities, so it’s not surprise that Roseanne Barr’s new pixie cut sparked a lot of conversation.
The 71-year-old Barr used Instagram to share photos of her new hairstyle, a textured pixie cut in place of her long, gray hair, along with the message “Cut.”
It should come as no surprise that the comedian and actress received a lot of attention from her post, as most of the comments were positive.
“Wow, you look hotter and younger!” only one person wrote.
“I love it,” commented someone else. My age is the same as yours. Although I’ve always had long hair, I’ve been considering cutting it off recently. Seeing how attractive you are, I might actually do it.
Gorgeous Roseanne! Continue rousing folks from sleep! Third: “We love you so much.”
Comments like “Looks incredible Roseanne!” were made by others. and “I adore the hair!”
According to sources, Andre Walker, a hairstylist who also works with TV legend Oprah Winfrey and actress Halle Berry, is responsible for Barr’s makeover.
Barr became a global celebrity in the late 1980s after starring in the ABC series Roseanne as Roseanne Conner. The Cosby Show producers intended to create a “no-perks family comedy,” which gave rise to the concept for the well-known show.
Twenty-one million homes watched the first episode of Roseanne when it debuted in 1998, making it the biggest premiere of the year. After airing for ten seasons, Roseanne was a huge hit overall. Barr also took home multiple honors, including a Golden Globe and an Emmy.
More recently, Barr faced a major blow when her show was canceled due to a tweet that compared Valerie Jarrett, the advisor to former President Barack Obama, to an ape.
Barr expressed sorrow for the error and blamed the unsuitable joke on her poor health and emotional instability, despite her outspoken support of the former president Donald Trump, according to People. She withdrew from the public eye for a few weeks afterward. In response to the criticism, Barr expressed regret in public.
Nevertheless, the outcry led to the cancellation of Roseanne’s planned return, and in the background, she experienced a profound personal and professional metamorphosis.
What are your thoughts on Roseanne Barr’s new appearance? Tell us in the comments below.
Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’
In the early 1990s, the world fell in love with the adorable Mara Wilson, the child actor known for playing the precocious little girl in family classics like Mrs. Doubtfire and Miracle on 34th Street.
The young star, who turned 37 on July 24, seemed poised for success but as she grew older, she stopped being “cute” and disappeared from the big screen.
“Hollywood was burned out on me,” she says, adding that “if you’re not cute anymore, if you’re not beautiful, then you are worthless.
In 1993, five-year-old Mara Wilson stole the hearts of millions of fans when she starred as Robin Williams’ youngest child in Mrs. Doubtfire.
The California-born star had previously appeared in commercials when she received the invitation to star in one of the biggest-grossing comedies in Hollywood history.
“My parents were proud, but they kept me grounded. If I ever said something like, ‘I’m the greatest!’ my mother would remind me, ‘You’re just an actor. You’re just a kid,’” Wilson, now 37, said.
After her big screen debut, she won the role of Susan Walker – the same role played by Natalie Wood in 1947 – in 1994’s Miracle on 34th Street.
In an essay for the Guardian, Wilson writes of her audition, “I read my lines for the production team and told them I didn’t believe in Santa Claus.” Referencing the Oscar-winning actor who played her mom in Mrs. Doubtfire, she continues, “but I did believe in the tooth fairy and had named mine after Sally Field.”
‘Most unhappy’
Next, Wilson played the magical girl in 1996’s Matilda, starring alongside Danny DeVito and his real-life wife Rhea Perlman.
It was also the same year her mother, Suzie, lost her battle with breast cancer.
“I didn’t really know who I was…There was who I was before that, and who I was after that. She was like this omnipresent thing in my life,” Wilson says of the deep grief she experienced after losing her mother. She adds, “I found it kind of overwhelming. Most of the time, I just wanted to be a normal kid, especially after my mother died.”
The young girl was exhausted and when she was “very famous,” she says she “was the most unhappy.”
When she was 11, she begrudgingly played her last major role in the 2000 fantasy adventure film Thomas and the Magic Railroad. “The characters were too young. At 11, I had a visceral reaction to [the] script…Ugh, I thought. How cute,” she tells the Guardian.
‘Burned out’
But her exit from Hollywood wasn’t only her decision.
As a young teenager, the roles weren’t coming in for Wilson, who was going through puberty and outgrowing the “cute.”
She was “just another weird, nerdy, loud girl with bad teeth and bad hair, whose bra strap was always showing.”
“At 13, no one had called me cute or mentioned the way I looked in years, at least not in a positive way,” she says.
Wilson was forced to deal with the pressures of fame and the challenges of transitioning to adulthood in the public eye. Her changing image had a profound effect on her.
“I had this Hollywood idea that if you’re not cute anymore, if you’re not beautiful, then you are worthless. Because I directly tied that to the demise of my career. Even though I was sort of burned out on it, and Hollywood was burned out on me, it still doesn’t feel good to be rejected.”
Mara as the writer
Wilson, now a writer, authored her first book “Where Am I Now? True Stories of Girlhood and Accidental Fame,” in 2016.
The book discusses “everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood, these essays chart her journey from accidental fame to relative (but happy) obscurity.”
She also wrote “Good Girls Don’t” a memoir that examines her life as a child actor living up to expectations.
“Being cute just made me miserable,” she writes in her essay for the Guardian. “I had always thought it would be me giving up acting, not the other way around.”
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