was falling into place, like the universe had finally decided to give us our happily ever after.
“This is it, Misha,” Jerry said to me the night before the party. “We’re finally going to complete our family.”
“I know,” I said, smiling. “I can’t wait for our little one to come and turn our world upside down.”
We wanted to make the gender reveal special, so we decided on a big party. We invited family from both sides, hired a bakery for the cake, and handed the ultrasound results to Jerry’s mom, Nancy. She was thrilled to be in charge.
“I’ve got everything under control, Misha,” Nancy promised. “I’ll take care of the cake and get a special gift for my grandbaby. I just know it’s going to be a girl—I’m ready to spoil her rotten!”
Nancy had been eager to be involved ever since we announced the pregnancy, so it felt good to let her handle the cake. I was grateful she felt included.
As my mom and I set up for the party, the house was transformed into a Pinterest-perfect setting—pink and blue balloons tied to every chair, platters of food arranged on the table, and a banner that read, “He or She? Let’s See!” It was everything I had ever dreamed of.
The final touch was the beautiful white cake at the center of the room, ready for the big reveal. Jerry’s whole family was there—his cousins, brother, aunt—filling the house with excitement and chatter.
When Nancy arrived, I noticed she was dressed all in black. It struck me as strange, but I didn’t think much of it. Maybe she thought black was slimming or elegant. Who knew?
As everyone gathered around the cake, the energy in the room buzzed with anticipation. Phones were out, cameras ready to capture the big moment.
Jerry put his arm around me. “Ready?” he whispered.
“Let’s do this,” I grinned.
The countdown began.
“Three… two… one!”
We cut into the cake, expecting to see pink or blue inside. But when we pulled out the first slice, the room went silent. The cake was pitch black.
Not a hint of pink. Not a touch of blue. Just black.
My heart sank. Was this some kind of joke? No one was laughing. Everyone stood frozen, unsure whether to keep recording or put their phones down.
I glanced at Jerry, who looked just as confused as I felt. Then my eyes landed on Nancy, standing off to the side. She was dressed head to toe in black—black dress, black scarf, black shoes—and now she looked like she was… crying?
“Nancy?” I called out, frowning.
She wiped her eyes with a tissue, her makeup smudging. “I’m so sorry,” she whispered. “I didn’t know what else to do.”
“What do you mean?” I asked, my voice rising. “Why would you order a black cake?”
Jerry stepped in, his confusion turning to frustration. “Mom, what’s going on?”
Nancy dabbed at her eyes, trembling. “It’s not about the cake. It’s what I was told… I couldn’t risk it.”
“What are you talking about?” Jerry asked, his patience wearing thin.
Nancy took a deep breath. “Ten years ago, I visited a fortune teller with my sister. She told me something terrifying—that if my first grandchild was a boy, it would destroy your family, Jerry. And I’d be struck with a terrible illness.”
The room gasped. Jerry’s jaw dropped. “You’ve believed that nonsense for ten years?”
Nancy nodded, wringing her hands. “I know it sounds crazy, but I couldn’t ignore it. She was famous in our town—everyone said her predictions were always right.”
I stared at her, stunned. “So you sabotaged our gender reveal because of a fortune teller?”
Nancy hung her head. “I thought if it was a boy, maybe the black cake would… stop the curse. I even put bay leaves in it, hoping it would change something.”
I pressed my fingers to my temple, trying to process the absurdity. I knew Nancy could be a bit eccentric, but this? This was beyond anything I’d imagined.
Jerry let out a sharp breath. “Mom, you let a con artist control your decisions for ten years?”
Nancy’s lip quivered as she crumbled under the weight of her fear. “I was terrified of losing you. I couldn’t bear the thought that something bad would happen to your family because of me.”
Before anyone could respond, Jerry’s cousin Megan, who had been scrolling through her phone, chimed in.
“Wait, was it J. Morris? That fortune teller?”
Nancy’s eyes lit up. “Yes! That’s the one!”
Megan shook her head, holding up her phone. “She was exposed years ago, Aunt Nancy. A total fraud. Look, there’s an article about her getting arrested for scamming people.”
Nancy’s eyes widened as she stepped closer to read the screen. “I… I can’t believe this. All these years, I’ve been living in fear for nothing?”
Jerry rubbed his forehead in frustration. “Mom, you let this nonsense ruin one of the most important moments of our lives.”
Nancy’s shoulders sagged, her face crumpling with guilt. “I’m so sorry. I never meant to ruin your day. I just didn’t know how to stop believing it.”
There was a heavy silence in the room. I wanted to be furious, but seeing Nancy so broken made it impossible. I walked over and put a hand on hers.
“It’s okay, Mom,” I said softly. “I’m glad we know the truth now. You can enjoy the rest of the pregnancy with us. You’re going to be a grandma.”
Nancy’s tearful eyes met mine, and a small smile crept across her face. “Thank you, darling. I’m truly sorry.”
Jerry, still shaken, managed to laugh. “Wait… so does this mean we’re having a boy?”
The room burst into nervous laughter, and even Nancy chuckled through her tears. Jerry squeezed my hand, grinning.
“Well, I guess this was the strangest gender reveal ever.”
We all laughed, the tension finally lifting. Megan took a picture of the cake, laughing as she typed, “#GothBabyReveal.”
In the end, we cut into the black cake and shared it with everyone. It wasn’t the reveal I had imagined, but somehow, it felt just right—filled with laughter, love, and the relief that everything was finally out in the open.
Now, all we had to do was wait for our little one to arrive.
Vertigo Star Kim Novak Is Spending Her 91st Birthday with ‘Friends and Lots of Fudge’ (Exclusive)
Tuesday marks the 91st birthday for Kim Novak, the star of Alfred Hitchcock’s 1958 film Vertigo, who walked away from Hollywood over five decades ago.
“She’s spending her birthday having a picnic on her property with friends and lots of fudge,” says her longtime manager and close friend Sue Cameron.
Life is sweet these days for Novak, who lives quietly on the Oregon coast, surrounded by her beloved horses.
In honor of her 91st birthday, read on for an interview from 2021 in which Novak shared why she left Hollywood and found her true self.
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Over 50 years ago, Kim Novak, the enigmatic star of Alfred Hitchcock’s Vertigo, walked away from Hollywood. The woman who had once been the No. 1 box office draw in the world put her belongings in a van and drove north, first to Carmel, California and then two decades later to Oregon, to live her life as an artist.
“I had to leave to survive,” she tells PEOPLE. “It was a survival issue.”
“I lost a sense of who I truly was and what I stood for,” says Novak in a rare interview to talk about her new book, Kim Novak : Her Art and Life. published by the Butler Museum of American Art.
“I fought all the time back in Hollywood to keep my identity so you do whatever you have to do to hold on to who you are and what you stand for,” she explains.
“I’ve never done one of those tell-all books that they wanted me to do for so long, and I thought this is the kind of book I’d like to do,” she says of her art book. “Actually, I had written my autobiography and it was almost complete but I had a house fire and the house burned down and I made no copies. I just couldn’t go through it again because I had spent so much time. But it was okay because it was a catharsis just to do it.”
After starring in Picnic (1955) with William Holden, The Man With the Golden Arm (1955) and Pal Joey (1957), opposite Frank Sinatra, and Vertigo, with Jimmy Stewart, Novak was at the height of her career but still under the control of the studio.
As she writes in her book’s introduction, “I was both dazzled and disturbed to see me being packaged as a Hollywood sex symbol. However, I did win my fight over identity. I wouldn’t allow [Columbia Pictures chief] Harry Cohn to take my bohemian roots away by denying me my family name. Novak. I stood my ground and won my first major battle.”
Cohn wanted her to change her name to Kit Marlowe, telling her that audiences would be turned off by her Eastern European roots. She refused. In the late ’50s, she defied him again when she began dating singer Sammy Davis Jr. against his wishes and she fought to live her life as an independent woman.
“There was constant pressure to be seen and not heard,” writes Novak, “especially if you had a pretty face.”
“In Hollywood a lot of people assume who you are, because of the character you play, but also just because of who they expect you to be, how they expect you to dress,” she says. “It influences you because if you’re in some gorgeous sequined gown, you can’t run along the ocean and run on the beaches.”
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“I kept feeling like I was going deeper and deeper, lost in almost like a quicksand, where it’s swallowing you up, your own personality, and I’d started to wonder who I am,” she explains. “I realized needed to save myself.”
She found peace living and painting in the Rogue River Valley of Oregon and notes, “I needed the Pacific Ocean to inspire me, the animals, the beauty.”
“I wanted to live a normal life and a life with animals,” says the actress, who had always loved drawing and painting as a young girl growing up in Chicago. She was awarded two scholarships to the Chicago Art Institute before she was spotted by a talent scout on a trip to L.A. and her life changed course.
Once she left Hollywood, Novak returned to her twin passions: art and animals. “My teachers were the animals, not just dogs and cats, but other animals, horses and llamas, whom you have to meet half way, because they’re not ready to accept humans. I had to learn to win them over,” she says. “They understand a person who’s genuine so I had to become more real and that made me rely on my inner self — and that also encouraged me to paint. Everything seemed to flow from that.”
“You learn how to count on, not how you look, which is a big thing as a movie star, especially if you were recognized because of how you look,” she adds. “That can be a difficult thing when you change — but looks had nothing to do with it.”
She met second husband, Robert Malloy, an equine veterinarian, in the late ’70s, when he paid her a house call to treat one of her Arabian horses. She called him her “soul mate.” He died last December.
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“I don’t feel 87,” says Novak. “I don’t keep tract of the time. If I did, I’d be an old lady and I’m not an old lady. I’m still riding my horse. I stay as healthy as I can.”
In 2012, Novak revealed she’d been living with bipolar disorder. “I don’t mind being open about who I am because these are all characteristics which make you who you are, especially as an artist,” she says. “Now, of course, I have medication for it but the best medicine of all is art.”
She’s proud of her favorite films, including Vertigo and Bell, Book and Candle (1958), and has fond memories, especially of her friend and costar Jimmy Stewart. Says Novak: “He didn’t let Hollywood change who he was.”
“People can remember me in movies but I want them to see me as an artist,” says Novak, whose paintings were exhibited at a 2019 retrospective at the Butler Museum in Youngstown, Ohio. “What’s great about painting is, you become the director too. No one’s telling you how to do it. You get to direct the whole thing.”
“I’ve been influenced a lot by Hitchcock in my work because he did mysteries and at first glance, I want my painting to be a mystery,” she says. “I love being the director, the producer, the actor in my paintings.”
“This is who I am. I want people to see I was not just a movie star.”
Looking back, Novak says, “I’m so glad I didn’t do the tell-all book, where you write all about your love life. That wasn’t who I was. This book tells who I am. I just needed to be free.”
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