Thomas Jeffrey Hanks (born July 9, 1956) is an American actor and filmmaker. Known for both his comedic and dramatic roles, he is one of the most popular and recognizable film stars worldwide, and is regarded as an American cultural icon.[2] Hanks’s films have grossed more than $4.9 billion in North America and more than $9.96 billion worldwide,[3]
making him the fourth-highest-grossing actor in North America.[4] Hanks made his breakthrough with leading roles in a series of comedies: Splash (1984), The Money Pit (1986), Big (1988) and A League of Their Own (1992). He won two consecutive Academy Awards for Best Actor, playing a gay lawyer suffering from AIDS in Philadelphia (1993) and the title character in Forrest Gump (1994).[5] Hanks collaborated with Steven Spielberg on five films: Saving Private Ryan (1998), Catch Me If You Can (2002), The Terminal (2004), Bridge of Spies (2015) and The Post (2017), as well as the World War II miniseries Band of Brothers (2001), The Pacific (2010) and Masters of the Air (2024). He has also frequently collaborated with directors Ron Howard, Nora Ephron and Robert Zemeckis.
Hanks’s other films include the romantic comedies Sleepless in Seattle (1993) and You’ve Got Mail (1998); the dramas Apollo 13 (1995), The Green Mile (1999), Cast Away (2000), Road to Perdition (2002) and Cloud Atlas (2012); and the biographical dramas Charlie Wilson’s War (2007), Captain Phillips (2013), Saving Mr. Banks (2013), Sully (2016), A Beautiful Day in the Neighborhood (2019), News of the World (2020) and Elvis (2022). He appeared as the title character in the Robert Langdon series and voiced Sheriff Woody in the Toy Story films (1995–2019). Hanks directed the comedies That Thing You Do! (1996) and Larry Crowne (2011), and acted in both.
Some of us still remember when “typing classes” had to be taken on actual typewriters
A few of us can still recall the days when “typing classes” required using real typewriters.
It is almost impossible to imagine that there was a period when typing had a tactile, almost rhythmic quality in an era when computerized screens rule our communication.
Our fingers danced across keys in a complete ten-finger ballet, not the constrained choreography meant for smartphones.
The medium for this dance was the typewriter, the mysterious device that ran on paper and ambition and required no electricity at all.
The late 1800s saw a great deal of advancement in communication technology, which is when the typewriter first came into being. Relics from this era are housed at the Henry Ford Museum of American Innovation, where curator Kristen Gallerneaux shows that the typewriter was not an immediate hit.
Its origins were largely due to Milwaukee printer Christopher Sholes and Carlos Glidden, who were inspired by a magazine article to design what would eventually become the first typewriter to be commercially successful.
The invention of Sholes and Glidden, who called it after themselves, was a technical miracle. It struck a compromise between the precision necessary for legible typing and the need for durability to withstand users’ need to “bang away on the keys.”
The typewriter took a while to become well-known despite its inventiveness; it didn’t take off until 1874.
The typewriter was a marvel of design as much as a technological achievement. The QWERTY keyboard layout, which was popularized by the Sholes and Glidden typewriter and is still in use today due to its efficiency in minimizing letter jamming by separating frequently used pairings, was introduced.
Centuries later, this keyboard layout’s answer to a mechanical issue unintentionally influenced how we use them.
The typewriter started to change the American workplace by the late 1880s. A notable change was brought about by the invention of the typewriter, which at first was used mostly by men.
By 1910, women accounted for nearly 80% of professional typists, a significant shift in the office setting.
This change was a social revolution that redefined gender roles in the workplace, not merely a technological one.
Innovations like the Nodin typewriter were the result of the search for a quieter typing experience. Its moniker, a witty reference to its silent functioning, perfectly captured the way typewriter design has continued to advance.
Even though the Nodin is a unique find, its presence demonstrates the inventive lengths inventors were willing to go to in order to enhance typing.
We haven’t even discussed electric typewriters in our history, which added a new level of convenience and noise to the typing experience. Nonetheless, early typewriters’ tactile feedback and straightforward mechanics have left a lasting impression on those who have used them.
Many individuals still enjoy listening to the old-fashioned clickity-clack sound of the keys.
The story takes a pleasant detour and returns to the act of typing. One of these old machines is available for you to type on, thanks to the curator at the Henry Ford Museum. The sensation serves as a sharp reminder of how physically demanding typing on a typewriter is, in sharp contrast to how natural typing on a modern keyboard is.
It’s a nostalgic moment that serves as a reminder of the development of writing technology and the timeless allure of typing.
The typewriter is a link to a lost era of communication because of its intricate mechanical design and lengthy history. It is a sentimental stroll down memory lane for those who recall. It’s an invitation to those who are unfamiliar with typing to discover the tactile delights of a world where words were created physically and each letter carried weight.
The typewriter is a monument to the human need for connection, communication, and creation even as we enter the digital age.
Watch the video below to find out more about the complex and fascinating history of the common typewriter! Kindly DISPLAY this to your loved ones.
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