When Jessie’s maid of honor, Emily, showed up in a dress that Jessie didn’t pick, her picture-perfect wedding day took an unexpected turn. Emily’s shocking attire sparked chaos, setting the stage for some sweet payback.
Hey everyone, Jessie here! Two weeks ago, I married the love of my life, Kevin. It should’ve been the happiest day ever, right? Well, thanks to my so-called best friend, let’s just say it became a story for the ages — and not in a good way.
Emily, my supposed best friend, the woman I’d chosen as my maid of honor, managed to steal the spotlight in the most outrageous way possible…
Emily and I have been best friends since we were knee-high to a grasshopper. We practically grew up together.
Now, don’t get me wrong, Emily’s a great friend, supportive and always there for me. But there’s this one tiny, well, not-so-tiny detail about her — she’s a tad competitive.
It started small, you know, harmless races on the playground to see who could reach the swings first. In high school, it was all about grades—who could snag the highest GPA.
Then came college, and suddenly, it was about who could throw the most epic birthday bash. You name it, we “competed” at it. But hey, that was all in good fun, right? Or so I thought.
Despite her win-at-all-costs streak and arrogance, we always managed to stay close. I never really saw it as a competition; I just figured a little healthy rivalry pushed us both to be better.
We navigated life together, from scraped knees on the playground to the corporate jungle of our careers.
And when my boyfriend Kevin popped the question, there was no doubt in my mind who’d be my maid of honor—Emily, obviously.
Planning the wedding was a whirlwind of excitement. I wanted everything perfect, down to the last detail. Romantic elegance was the theme, with soft hues of lavender and blush creating a dreamy spring garden vibe.
The bridesmaids’ dresses were a beautiful shade of lavender, the perfect complement to the whole aesthetic. I mean, I was paying for everything, dresses included, so naturally, I wanted everyone to look stunning and harmonious.
The day of the final fitting arrived, and Emily came over, all smiles and sunshine.
But as soon as she saw the dress I’d picked for her, her smile completely vanished. She held the lavender fabric at arm’s length like it was some kind of contagious disease.
“Uh, Jess,” she mumbled, “I don’t think I can wear this.”
“What? Why not?” I furrowed my brow, completely confused. This was the dress we’d all picked out together, the one everyone agreed on. And it was gorgeous.
“This color just washes me out,” she whined. “I’ll look like a ghost in it.”
Honestly, that was a stretch. The dress would look amazing on her, like it was practically made for her curves. But Emily was never one to back down from an argument, especially when it came to “winning.”
“Come on, Em,” I tried to reassure her, “it’s the same dress everyone else is wearing. You would look beautiful, trust me.”
But she wasn’t having it. She huffed and puffed, making a scene about how unflattering the dress was and how she just couldn’t possibly walk down the aisle looking like a pale ghost.
My patience started to wear thin, but you know how it is with bridesmaids, especially your best friend. You just don’t want any drama, right? So, I caved.
I reluctantly agreed to let her pick out another dress, hoping she’d at least choose something that wouldn’t clash with the whole lavender theme.
Fast forward to the wedding day. Everything was picture-perfect — the flowers, the venue, even the weather cooperated and decided to bless us with a beautiful spring day.
Butterflies danced in my stomach as I stood at the altar, waiting for the music to cue the bridal party entrance. My bridesmaids walked down the aisle one by one, looking stunning in their lavender dresses, just as planned.
Then came Emily’s turn.
She made waves in Hollywood with her blond hair & blue eyes, but look at her now
Kathleen Turner rose to fame in the 1980s as a result of her strength and beauty; many consider her to be one of Hollywood’s most beautiful actors.
Over the years, the actress has faced numerous challenging and favorable situations, and her perseverance has carried her through them both.Kathleen Turner was raised in a home with four other children, despite her difficult past.
She and her siblings were raised in both Venezuela and London. When she was a little girl, she tragically witnessed her father’s sudden death when he was mowing the lawn of their Hampstead house.
A month following his passing, the foreign service ejected Kathleen and her family from the United Kingdom. In Springfield, Missouri, where everyone was still grieving for their father and their previous home, Turner relocated her family.
Finally, Tuner felt at peace after moving to New York to pursue an adult acting career. Her major break came when she was hired as the femme fatale in the 1981 film “Body Heat,” despite her success on stage.
Turner was offered the opportunity to co-star with Michael Douglas in the well-known “Romancing the Stone” three years after sharing the screen with William Hurt. During filming, Douglas was going through a difficult divorce from his wife Diandra, and he started to feel a connection with Turner.
We were intensely flirting and exchanging intense, yearning glances as we were falling in love. Kathleen remarked, “Then Diandra came down and reminded me he was still married.”
In the end, she wed Jay Weiss, the movie’s real estate developer, in 1984. Soon after, the couple welcomed their only daughter together. October 14, 1987, was Rachel Ann Weiss’s birthday.
Regretfully, when the couple started parenting their daughter, their relationship started to fall apart.
“I would demand extended weekends or additional passes from the film studios so that my spouse and daughter could visit me. However, I felt bad since there was a feeling in the marriage that all the work was on his end. It terminated for a few reasons, including that. I began to experience extreme oppression. Kathleen said, “I thought, ‘Hang on a minute, you’ve done very well out of being married to me also.’”
When Turner played Martha in the 2005 Broadway production of “Who’s Afraid of Virginia Woolf?” their marital problems came to a head. Turner became incredibly busy performing in eight shows a week, and it seemed Weiss didn’t want to spend any time with her at home.
During that time, Turner was nominated for a Tony Award for her portrayal of Martha, and the two got along well.
The actress was nominated for an Oscar in 1987 for her role in “Peggy Sue Got Married.” She went on to produce several films in the 1980s, including three blockbusters starring Michael Douglas.
But in the 1990s, Kathleen experienced a medical setback when her neck locked, making it impossible for her to turn her head. Additionally, the swelling in her hands prevented her from using them.
Kathleen stated, “It was crippling.” When something is gone, even for a little while, you stop taking it for granted. What I took for granted was my athleticism, my capacity for forceful movement, and my freedom to move however I pleased. I had a genuine identity crisis when I lost that: “Who am I if I can’t do this?”
She was diagnosed with rheumatoid arthritis, which is characterized by swelling of the lining of our joints, and this was the tragic reason for her circumstances. Managing chronic pain caused by this illness can be difficult.
Kathleen remarked, “When it was first diagnosed, I was terrified because they said I’d be in a wheelchair.” “I reasoned that I couldn’t act if I couldn’t move. Not everything I want to do is act. I was destined for this. It’s present throughout my entire life. The most terrifying aspect was the thought of not being able to accomplish it, together with the ongoing discomfort.
Kathleen took drugs and alcohol to ease her pain. Her habit of drinking vodka led her to faint during dress rehearsals for plays such as the 2002 stage version of “The Graduate,” even if they made her job simpler.
The actress really checked herself into rehab after the show concluded, and it was found that she was not an alcoholic. Instead, she was told to just remember to take more notes on when she took her medications and any unfavorable side effects.
The actress now does pilates and yoga to help her stay flexible and manage her discomfort.
The famous person began to focus more intently on her career in theater while also improving her pain management. As she grew older, she largely returned to her roots, even taking the lead in a stage production of “Cat on a Hot Tin Roof” in her forties, even though she still worked sometimes in film and television.
“It was a little foresight on my part of which I am justly proud, because I knew that the better roles as I got older would be in theatre, which is absolutely true,” Kathleen remarked.
By focusing on the theater, the actress has had more time to pursue her passions, which include working for Planned Parenthood of America and volunteering for Amnesty International.
For most of her life, Turner has been an ardent feminist who has devoted her life to helping other women. Gloria Feldt’s 2008 biography of the actress, Send Yourself Roses, captures her thoughts perfectly.
As women, we are the first generation to achieve financial independence. Women are returning to the workforce, stated Kathleen. They’re redefining who they are. I believed I could contribute to that, even more. It therefore contains a great deal of philosophy as well as my personal beliefs.
What are your thoughts on Kathleen Turner’s difficult yet fruitful journey? Tell us in the comments below!
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