Surprising Scientific Study Challenges Conventional Beauty Standards
Science often confirms what we already know, but occasionally, it surprises us with new findings that challenge conventional beliefs. A recent scientific study has raised eyebrows by suggesting that a 43-year-old model may possess the ‘ideal figure.’ In this article, we delve into the study’s revelations and explore the evolving standards of beauty.
The Ever-Changing Ideal Body Type
Traditionally, the fashion industry has favored extremely slim body types, epitomized by iconic models like Kate Moss. Marilyn Monroe’s voluptuous figure, once admired, has been replaced by the preference for an hourglass shape. However, a groundbreaking study from Texas University has questioned this longstanding notion.
Embracing Fuller and Curvier Figures
The study indicates that a ‘fuller’ and ‘curvier’ body type is preferred among women. The ideal body mass index (BMI) is identified as 18.85, with specific measurements for bust size, waist, and hips. Interestingly, these specifications closely align with those of British model Kelly Brook, whose appearance challenges today’s beauty standards.
Beauty Lies in the Eye of the Beholder
It is crucial to acknowledge that attractiveness is subjective, and people have diverse aesthetic preferences. While the study identifies an ‘ideal’ body type based on scientific data, it does not invalidate other body shapes as unacceptable or unattractive. It merely challenges the conventional notion that thinness is the sole measure of beauty.
Celebrating Diversity in Beauty
Recognizing the variance in perceptions of attractiveness is particularly relevant in contemporary society, which increasingly values diversity. The modeling industry has gradually embraced plus-size models, exemplified by trailblazers like Ashley Graham. Such inclusivity highlights that all body types can be stunning and should be celebrated.
The scientific study challenging conventional beauty standards sparks thought-provoking discussions about attractiveness and societal norms. While it identifies an ‘ideal’ body type, it does not diminish the beauty of other forms. Embracing diversity in beauty empowers individuals to appreciate their uniqueness and promotes a more inclusive perspective on attractiveness. As we continue to evolve, let us celebrate the myriad ways beauty manifests itself in our world.
Share Your Thoughts
What are your views on the study’s conclusions and the evolving standards of beauty? Join the conversation and share your opinions in the comments section. Let your friends and family participate in this thought-provoking discussion!
Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’
In the early 1990s, the world fell in love with the adorable Mara Wilson, the child actor known for playing the precocious little girl in family classics like Mrs. Doubtfire and Miracle on 34th Street.
The young star, who turned 37 on July 24, seemed poised for success but as she grew older, she stopped being “cute” and disappeared from the big screen.
“Hollywood was burned out on me,” she says, adding that “if you’re not cute anymore, if you’re not beautiful, then you are worthless.
In 1993, five-year-old Mara Wilson stole the hearts of millions of fans when she starred as Robin Williams’ youngest child in Mrs. Doubtfire.
The California-born star had previously appeared in commercials when she received the invitation to star in one of the biggest-grossing comedies in Hollywood history.
“My parents were proud, but they kept me grounded. If I ever said something like, ‘I’m the greatest!’ my mother would remind me, ‘You’re just an actor. You’re just a kid,’” Wilson, now 37, said.
After her big screen debut, she won the role of Susan Walker – the same role played by Natalie Wood in 1947 – in 1994’s Miracle on 34th Street.
In an essay for the Guardian, Wilson writes of her audition, “I read my lines for the production team and told them I didn’t believe in Santa Claus.” Referencing the Oscar-winning actor who played her mom in Mrs. Doubtfire, she continues, “but I did believe in the tooth fairy and had named mine after Sally Field.”
‘Most unhappy’
Next, Wilson played the magical girl in 1996’s Matilda, starring alongside Danny DeVito and his real-life wife Rhea Perlman.
It was also the same year her mother, Suzie, lost her battle with breast cancer.
“I didn’t really know who I was…There was who I was before that, and who I was after that. She was like this omnipresent thing in my life,” Wilson says of the deep grief she experienced after losing her mother. She adds, “I found it kind of overwhelming. Most of the time, I just wanted to be a normal kid, especially after my mother died.”
The young girl was exhausted and when she was “very famous,” she says she “was the most unhappy.”
When she was 11, she begrudgingly played her last major role in the 2000 fantasy adventure film Thomas and the Magic Railroad. “The characters were too young. At 11, I had a visceral reaction to [the] script…Ugh, I thought. How cute,” she tells the Guardian.
‘Burned out’
But her exit from Hollywood wasn’t only her decision.
As a young teenager, the roles weren’t coming in for Wilson, who was going through puberty and outgrowing the “cute.”
She was “just another weird, nerdy, loud girl with bad teeth and bad hair, whose bra strap was always showing.”
“At 13, no one had called me cute or mentioned the way I looked in years, at least not in a positive way,” she says.
Wilson was forced to deal with the pressures of fame and the challenges of transitioning to adulthood in the public eye. Her changing image had a profound effect on her.
“I had this Hollywood idea that if you’re not cute anymore, if you’re not beautiful, then you are worthless. Because I directly tied that to the demise of my career. Even though I was sort of burned out on it, and Hollywood was burned out on me, it still doesn’t feel good to be rejected.”
Mara as the writer
Wilson, now a writer, authored her first book “Where Am I Now? True Stories of Girlhood and Accidental Fame,” in 2016.
The book discusses “everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood, these essays chart her journey from accidental fame to relative (but happy) obscurity.”
She also wrote “Good Girls Don’t” a memoir that examines her life as a child actor living up to expectations.
“Being cute just made me miserable,” she writes in her essay for the Guardian. “I had always thought it would be me giving up acting, not the other way around.”
What are your thoughts on Mara Wilson? Please let us know what you think and then share this story so we can hear from others!
Leave a Reply