“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.
Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.
He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.
“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”
Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
Blue Ivy, 12, Stuns in a ‘Gilded and Glamorous’ Gown Alongside Mom Beyoncé at the ‘Mufasa’ Premiere
Blue Ivy Carter Shines at Mufasa: The Lion King Premiere in Gilded Elegance
At just 12 years old, Blue Ivy Carter, daughter of global superstars Beyoncé and Jay-Z, is stepping into her spotlight with grace and style. The young star captivated fans at the Hollywood premiere of Mufasa: The Lion King, showcasing her growing confidence, elegance, and undeniable star power.
A Golden Red Carpet Moment The Dolby Theatre in Hollywood served as the perfect backdrop for Blue Ivy’s show-stopping appearance. Dressed in a stunning metallic gold gown by renowned designer Christian Siriano, she exuded poise and sophistication. The gown featured a heart-shaped neckline and a flowing skirt, striking a balance between youthful charm and red-carpet glamour.
Designer Christian Siriano expressed his admiration on Instagram, writing, “The Stunninggggg #BLUEIVYCARTER in custom Siriano tonight looking more gilded and glamorous than ever!” Her look was completed with minimal yet elegant accessories, including gold earrings and delicate rings. Makeup artist Sir John enhanced her natural beauty with shimmering gold eyeshadow, a rosy blush, and a bold red lip.
Beyoncé’s Proud Tribute Proud mom Beyoncé took to social media to celebrate her daughter’s milestone moment, sharing heartfelt words: “My beautiful baby girl. This is your night. You put in so much effort and did an incredible job as the voice of Kiara. Your family is so proud of you. Keep shining bright!”
The touching message resonated with fans, with many noting the rare length and personal nature of Beyoncé’s caption. Her makeup artist, Sir John, added, “Look at the BABYYYYYYY oh my goodness 🥹.”
A Family Affair on the Red Carpet The evening was a family celebration, with Beyoncé, Jay-Z, and grandmother Tina Knowles joining Blue Ivy for her big night. Beyoncé dazzled in a strapless gold Balmain gown, perfectly complementing her daughter’s outfit, while Jay-Z looked sharp in a chocolate brown suit. The family’s united front emphasized the significance of the moment in Blue Ivy’s blossoming career.
From Stage to Screen: Blue Ivy’s Journey Blue Ivy’s talent has been evident for years. Her performances during Beyoncé’s Renaissance tour in 2023 showcased her confidence and stage presence as she danced to “My Power.” Now, she’s taking her skills to the screen, voicing Kiara, the daughter of Queen Nala, in Mufasa: The Lion King.
The role marks a new milestone for Blue Ivy as she steps into the world of voice acting, bringing depth and emotion to a beloved Disney universe. Her portrayal bridges generations, continuing the legacy her mother helped establish in the 2019 adaptation of The Lion King.
A Tradition of Iconic Style This isn’t the first time Blue Ivy and Beyoncé have made fashion history together. Their gold ensembles at the Mufasa premiere echoed their iconic matching Alexander McQueen looks at the 2019 Lion King premiere, where they donned coordinating black-and-silver blazers and sparkling tulle skirts.
A Star on the Rise Born into music royalty in 2012, Blue Ivy has already achieved remarkable milestones, including a Grammy Award for her contributions to “Brown Skin Girl.” With younger siblings Rumi and Sir by her side, she continues to grow into her own identity while honoring her family’s powerful legacy.
Looking Ahead With Mufasa: The Lion King set to premiere on December 20, anticipation is building for Blue Ivy’s performance as Kiara. Whether she pursues acting, music, or another creative path, one thing is certain: Blue Ivy Carter is a star on the rise, and the world is eagerly watching her journey.
Conclusion: A Bright Future Ahead Blue Ivy’s radiant presence at the Mufasa: The Lion King premiere marks a significant moment in her young career. From her breathtaking gold gown to her heartfelt role in the film, she’s proving herself as more than just the daughter of two legends—she’s an emerging icon in her own right.
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