“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.
Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.
He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.
“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”
Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
The Intriguing Experience of Pareidolia
Have you ever glanced at random objects and thought you saw faces? This curious occurrence is called pareidolia. Our brains are wired to identify shapes, patterns, and even sounds as something significant, often perceiving them as faces.
This explains why we might spot animals in clouds or faces in rocks. Even a worn tile floor, like the one in the image above, can reveal a subtle face when examined closely.
What is Pareidolia?
Pareidolia is a fascinating psychological and visual phenomenon where our brains detect familiar patterns, particularly faces, in everyday objects. This tendency comes from our evolutionary need to recognize friends, enemies, and others. Our brains are designed to identify faces, even when none are really there.
The Tile Face: A Closer Look
If you carefully study the image, you’ll see that the rough texture of the tile creates a face, complete with eyes, a nose, and a mouth. The “eyes” might appear as darker spots, the “nose” as a smudge, and the “mouth” as a faint curve. It’s as if the tile has turned into a hidden character, patiently waiting to be discovered. This instance of pareidolia transforms an ordinary tile into something mysterious, artistic, and perhaps a little eerie.
Why Do We See Faces?
Surprisingly, seeing faces in objects is more common than we realize. Throughout evolution, our brains have honed the skill of recognizing faces as a way to form social bonds and ensure survival. Detecting allies and recognizing threats was essential for early humans. As a result, our brains became finely tuned to notice even the smallest facial cues, sometimes even over-interpreting them.
Scientists suggest that this natural ability to see faces has influenced our emotional understanding, social interactions, and even our creativity. It shows the incredible capacity of the human brain to find meaning, even when it only exists in our imagination.
The Artistic Side of Pareidolia
Pareidolia is not just a scientific curiosity; it also has a captivating artistic aspect. Artists have long been inspired by hidden images in the environment. This type of art encourages us to see beyond the obvious and find beauty in the unexpected.
The face in the tile from the image above can be seen as a natural work of art, a masterpiece shaped by time, wear, and our imagination. It reminds us that art can be found anywhere if we just take the time to look.
In Conclusion
The next time you see a tiled floor, gaze at cloud-filled skies, or closely inspect a textured surface, take a moment to observe. You might just find a face staring back at you. Pareidolia reminds us how our brains interpret the world, revealing wonder in the most ordinary things. These moments of recognition are small reminders of the magic hidden in everyday life. So go out there and embrace the beauty of pareidolia!
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