Demi Moore and Bruce Willis are often regarded as the most amicable ex-couples in Hollywood. The pair, who have been married for 11 years and have three daughters, Rumer, 34, Scout, 31, and Tallulah, 28, have become even closer since Bruce’s aphasia diagnosis.
The degenerative illness diminishes a person’s ability to comprehend and communicate in the language.
Bruce Heming, the actor in Die Hard, said earlier this year that he would retire from acting due to sickness, along with his children and his 13-year wife, Emma Heming.
According to a source, Demi has kept in touch with Bruce and Emma regularly. She will call the phone if she is not at his side just so Bruce can hear her voice. She is doing everything she can to be with him.
The entire family is rallying behind the 67-year-old celebrity. According to the insider, they know he will not be present indefinitely. As a result, they appreciate every minute.
Demi and Bruce’s extended family, including his two kids with Emma, ages 10 and 8, frequently vacations in Idaho.
“It was always a special occasion,” stated the insider. The favorite family traditions, such as pajama parties and game nights, survived.
Demi and Emma’s friendship has become stronger as they both struggle with Bruce’s decline. His wife is now serving as a middleman between their ex-partners.
“Bruce can’t say much, and it doesn’t appear like he understands much of what others say,” an insider said. Emma has been his major spokesman and communication channel.
Despite his worsening condition, his loved ones are doing everything they can to keep him alive, especially with the holiday season approaching.
“There are occasions when they catch glimmers of the old Bruce,” the insider claimed, “but they are few and far between.” They are heartbroken because he appears to be sliding further away.
They are all eager to spend the holidays with their adored father. “The girls can’t imagine Christmas without Bruce,” a source alleged. The older girls miss the old Bruce, who used to mock them about their boyfriends and give them advice. “It’s been awful to see him deteriorate.”
“All they can do is tell him they love him and hope for a holiday miracle with Christmas right around the way,” the insider stated.
Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’
In the early 1990s, the world fell in love with the adorable Mara Wilson, the child actor known for playing the precocious little girl in family classics like Mrs. Doubtfire and Miracle on 34th Street.
The young star, who turned 37 on July 24, seemed poised for success but as she grew older, she stopped being “cute” and disappeared from the big screen.
“Hollywood was burned out on me,” she says, adding that “if you’re not cute anymore, if you’re not beautiful, then you are worthless.
In 1993, five-year-old Mara Wilson stole the hearts of millions of fans when she starred as Robin Williams’ youngest child in Mrs. Doubtfire.
The California-born star had previously appeared in commercials when she received the invitation to star in one of the biggest-grossing comedies in Hollywood history.
“My parents were proud, but they kept me grounded. If I ever said something like, ‘I’m the greatest!’ my mother would remind me, ‘You’re just an actor. You’re just a kid,’” Wilson, now 37, said.
After her big screen debut, she won the role of Susan Walker – the same role played by Natalie Wood in 1947 – in 1994’s Miracle on 34th Street.
In an essay for the Guardian, Wilson writes of her audition, “I read my lines for the production team and told them I didn’t believe in Santa Claus.” Referencing the Oscar-winning actor who played her mom in Mrs. Doubtfire, she continues, “but I did believe in the tooth fairy and had named mine after Sally Field.”
‘Most unhappy’
Next, Wilson played the magical girl in 1996’s Matilda, starring alongside Danny DeVito and his real-life wife Rhea Perlman.
It was also the same year her mother, Suzie, lost her battle with breast cancer.
“I didn’t really know who I was…There was who I was before that, and who I was after that. She was like this omnipresent thing in my life,” Wilson says of the deep grief she experienced after losing her mother. She adds, “I found it kind of overwhelming. Most of the time, I just wanted to be a normal kid, especially after my mother died.”
The young girl was exhausted and when she was “very famous,” she says she “was the most unhappy.”
When she was 11, she begrudgingly played her last major role in the 2000 fantasy adventure film Thomas and the Magic Railroad. “The characters were too young. At 11, I had a visceral reaction to [the] script…Ugh, I thought. How cute,” she tells the Guardian.
‘Burned out’
But her exit from Hollywood wasn’t only her decision.
As a young teenager, the roles weren’t coming in for Wilson, who was going through puberty and outgrowing the “cute.”
She was “just another weird, nerdy, loud girl with bad teeth and bad hair, whose bra strap was always showing.”
“At 13, no one had called me cute or mentioned the way I looked in years, at least not in a positive way,” she says.
Wilson was forced to deal with the pressures of fame and the challenges of transitioning to adulthood in the public eye. Her changing image had a profound effect on her.
“I had this Hollywood idea that if you’re not cute anymore, if you’re not beautiful, then you are worthless. Because I directly tied that to the demise of my career. Even though I was sort of burned out on it, and Hollywood was burned out on me, it still doesn’t feel good to be rejected.”
Mara as the writer
Wilson, now a writer, authored her first book “Where Am I Now? True Stories of Girlhood and Accidental Fame,” in 2016.
The book discusses “everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood, these essays chart her journey from accidental fame to relative (but happy) obscurity.”
She also wrote “Good Girls Don’t” a memoir that examines her life as a child actor living up to expectations.
“Being cute just made me miserable,” she writes in her essay for the Guardian. “I had always thought it would be me giving up acting, not the other way around.”
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