The Holiday favorite last appeared on screen as Miss Colleen Hannigan in 2014’s Annie
Cameron Diaz has been a bona fide Hollywood darling since making her point- film debut beside Jim Carrey in 1994’s The Mask.
Following her part as Tina Carlyle in the blockbuster, the 52- time-old went on to appear in classics like My Stylish Friend’s marriage, raised Princess Fiona in the Shrek ballot and played Natalie Cook in 2000s Charlie’s Angels and its effect, Full Throttle.
Now if you cast your mind back to 2014, Diaz was having a shelter of a time.
She was Carly Whitten in The Other Woman, Annie Hargrove in Jake Kasdan’s coitus Tape recording and Miss Hannigan in the Annie reboot.
But after stepping out as the matriarch of the iconic Hudson St Orphanage, Diaz mysteriously went silent.
A decade latterly, the Californian has lifted the lid on why she decided to suddenly quit Hollywood and exit the limelight.
The concession comes as Diaz gears up to make her return to the tableware screen with the aptly named action comedy film, Back in Action.
The mama – of- two will play former CIA asset Emily contrary Jamie Foxx’s Matt as she and her mate are forced to return to work after their secret individualities are exposed.
Back in Action, directed by Seth Gordon, is set to debut on Netflix on 17 January 17 and comes ahead of Shrek 5’s cinematic release in July 2026.
The direct effect to 2010’s Shrek Forever After will see Diaz reprising her voice part as Princess Fiona alongside Mike Myers as the nominal Dream works character and Eddie Murphy as their noble horse, jackass.
Making it a chapeau- trick, Diaz is also presently rephotographing the Apple TV movie outgrowth.
The Jonah Hill- directed design is billed as a black comedy and will star The Holiday alumna in an unnamed part.
The star- speckled also cast includes Keanu Reeves, Laverne Cox and Bottoms’ Kaia Gerber.
So with her triumphant assiduity return on the horizon, why did Diaz move down from the spotlight in the first place?
Appearing at Fortune’s utmost important Women Summit in California before this week( October 14), Diaz admitted bowing out was just ‘ commodity’ she had to do.
“ It felt like the right thing for me, to reclaim my own life, and I just really didn’t watch about anything differently, I didn’t.
“ And nothing’s opinion, nothing’s success, no bone’s offer, no bone’s anything could change my mind about my decision of taking care of myself and erecting the life that I really wanted to have, ” she continued, as per The Hollywood journalist.
The actress continued to claim that erecting a family came commodity she was ‘ passionate about’ and that working in the assiduity no longer ‘ fed her soul’.
Thankfully, it appears the star has re-found her spark, with all eyes now on Diaz’s imminent return.
The Incredible Change: From a Small Troublemaker to a Funny Movie Star!
In the busy streets of Brooklyn, a famous person was born – Mickey Rooney, the powerhouse of American entertainment. Since he was very young, he was drawn to the spotlight, which sparked a love for performing that would shine on screens and stages all over the country.
Imagine this: a tiny entertainer, just a little older than a baby, capturing audiences with his lively energy and natural charm. Mickey started his journey in the exciting world of vaudeville, where he learned and practiced his skills with his parents, impressing crowds with singing, dancing, and humor.
But it was the silver screen that truly embraced Mickey’s boundless talent. With a twinkle in his eye and mischief in his smile, he brought to life characters that leaped off the celluloid and into the hearts of millions. Who could forget his mischievous turn as the puckish Puck in a whimsical adaptation of Shakespeare’s “A Midsummer Night’s Dream”? Or his endearing portrayal of the irrepressible Andy Hardy, a role that made him the darling of Hollywood?
At MGM Studios, Mickey became very famous. He worked with big stars like Judy Garland, dancing and singing his way into movie history, making a lasting impression during Hollywood’s best times.
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