In the early 1990s, the world fell in love with the adorable Mara Wilson, the child actor known for playing the precocious little girl in family classics like Mrs. Doubtfire and Miracle on 34th Street.
The young star, who turned 37 on July 24, seemed poised for success but as she grew older, she stopped being “cute” and disappeared from the big screen.
“Hollywood was burned out on me,” she says, adding that “if you’re not cute anymore, if you’re not beautiful, then you are worthless.
In 1993, five-year-old Mara Wilson stole the hearts of millions of fans when she starred as Robin Williams’ youngest child in Mrs. Doubtfire.
The California-born star had previously appeared in commercials when she received the invitation to star in one of the biggest-grossing comedies in Hollywood history.
“My parents were proud, but they kept me grounded. If I ever said something like, ‘I’m the greatest!’ my mother would remind me, ‘You’re just an actor. You’re just a kid,’” Wilson, now 37, said.
After her big screen debut, she won the role of Susan Walker – the same role played by Natalie Wood in 1947 – in 1994’s Miracle on 34th Street.
In an essay for the Guardian, Wilson writes of her audition, “I read my lines for the production team and told them I didn’t believe in Santa Claus.” Referencing the Oscar-winning actor who played her mom in Mrs. Doubtfire, she continues, “but I did believe in the tooth fairy and had named mine after Sally Field.”
‘Most unhappy’
Next, Wilson played the magical girl in 1996’s Matilda, starring alongside Danny DeVito and his real-life wife Rhea Perlman.
It was also the same year her mother, Suzie, lost her battle with breast cancer.
“I didn’t really know who I was…There was who I was before that, and who I was after that. She was like this omnipresent thing in my life,” Wilson says of the deep grief she experienced after losing her mother. She adds, “I found it kind of overwhelming. Most of the time, I just wanted to be a normal kid, especially after my mother died.”
The young girl was exhausted and when she was “very famous,” she says she “was the most unhappy.”
When she was 11, she begrudgingly played her last major role in the 2000 fantasy adventure film Thomas and the Magic Railroad. “The characters were too young. At 11, I had a visceral reaction to [the] script…Ugh, I thought. How cute,” she tells the Guardian.
‘Burned out’
But her exit from Hollywood wasn’t only her decision.
As a young teenager, the roles weren’t coming in for Wilson, who was going through puberty and outgrowing the “cute.”
She was “just another weird, nerdy, loud girl with bad teeth and bad hair, whose bra strap was always showing.”
“At 13, no one had called me cute or mentioned the way I looked in years, at least not in a positive way,” she says.
Wilson was forced to deal with the pressures of fame and the challenges of transitioning to adulthood in the public eye. Her changing image had a profound effect on her.
“I had this Hollywood idea that if you’re not cute anymore, if you’re not beautiful, then you are worthless. Because I directly tied that to the demise of my career. Even though I was sort of burned out on it, and Hollywood was burned out on me, it still doesn’t feel good to be rejected.”
Mara as the writer
Wilson, now a writer, authored her first book “Where Am I Now? True Stories of Girlhood and Accidental Fame,” in 2016.
The book discusses “everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood, these essays chart her journey from accidental fame to relative (but happy) obscurity.”
She also wrote “Good Girls Don’t” a memoir that examines her life as a child actor living up to expectations.
“Being cute just made me miserable,” she writes in her essay for the Guardian. “I had always thought it would be me giving up acting, not the other way around.”
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They blocked off the road after realizing what this elephant was carrying with its trunk
Deep within the animal realm, among the verdant forests and huge savannas, lives a unique species that goes by the name of elephant. Scientists and environmentalists have long been fascinated by these gentle giants. After years of intensive study and close observation, we now know that elephants have a profound emotional range and a grieving process that is remarkably comparable to our own.
George Wittemyer is a committed conservation biologist from Colorado State University who has spent a large amount of his professional life researching elephants. He once gave National Geographic a glimpse into his observations, illuminating the complex and mysterious mechanisms by which these majestic creatures deal with the death of a fellow herd member.
“Elephants have respect for their dead,” Wittemyer stated, “but their interaction with their dead is not something we fully understand.” Researchers have been intrigued by this mysterious part of their behaviour, which shows that when these animals experience the loss of one of their own, they react from deep-seated emotions.
Recently, Twitter user Parveen Kaswan released a video that revealed this fascinating discovery, underscoring the depth of elephants’ emotional intelligence and their distinct grieving process. The film shows a scenario on a peaceful road where all of the traffic has stopped and people are staring at an incredible sight.
A magnificent herd of elephants is crossing the street with a grace that is appropriate for their size and harmony. One elephant in particular sticks out in the parade, softly holding something in its trunk. Viewers, intrigued, quickly discover that the elephant is bearing a young, dead elephant calf, which is inert.
The herd stops quite solemnly, and the elephant carrying the small load carefully lays the dead calf on the ground. The others assemble around, creating a circle of respect. This scenario is quite moving; it conveys a sense of shared sadness and mourning.
The title of the video, as Parveen Kaswan so eloquently put it, “The family just don’t want to leave the baby.” Their behaviour is reminiscent of the solemn cortege of a deceased person.
The elephants continue to amaze and astound researchers and viewers alike with their level of emotional depth as they exhibit an instinctive reverence for the deceased and an understanding of the great grief they have experienced.
As they go on their trek, a second elephant comes up and tenderly cradles the dead calf in its trunk. Elephant herds are emotionally connected to one another, and this display of deep grieving and solidarity emphasises how capable elephants are of feeling loss and sadness.
This will move you !! Funeral procession of the weeping elephants carrying dead body of the child elephant. The family just don’t want to leave the baby.
The film serves as a moving reminder of the extraordinarily emotional lives that elephants lead and is evidence of the strong bonds that exist among animals. It’s a tale that connects our worlds and serves as a moving reminder of the intricacy and beauty of nature. Please spread the word about this post on Facebook to your loved ones so that others can also be moved by the moving scenes shown in the film.
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