The 42nd Academy Awards in 1970 was a night filled with glamor, but one star undoubtedly shone brighter than all the others.
At just 38, Elizabeth Taylor was at the height of her beauty, and her fabulous gown and the world-famous diamond sparkling around her neck made the night special.
However, behind the scenes, a heartbreaking loss threatened to overshadow proceedings…
Looking back at old Oscars ceremonies is like stepping into a time machine that whisks you away to an era filled with glamor and grace. Honestly, the stars of that time had more class in their little fingers than many of today’s so-called celebrities combined.
I can’t help but feel a wave of nostalgia wash over me. It’s bittersweet to gaze upon these iconic figures, so many of whom are no longer with us. To me, it serves as a stark reminder of how fleeting life truly is — a short, beautiful journey we should cherish every moment of.
An historic night
The 1970 Academy Awards was a memorable evening for many reasons, most notably its lack of an official host.
It also marked a groundbreaking moment in Oscars history, as it was the first ceremony broadcast via satellite to an international audience.
One of the night’s most iconic moments was Cary Grant receiving the Academy Honorary Award. The audience erupted into thunderous applause, a heartfelt tribute to his timeless appeal and remarkable legacy in film.
On the other hand, John Wayne’s acceptance speech for Best Actor for his role in True Grit also stole the emotional spotlight. The legendary American icon delivered a humble and gracious speech, showcasing his genuine appreciation for the honor.
Yet, the evening wasn’t without its controversies. Many still debate that the biggest robbery in Oscars history occurred when Dustin Hoffman was overlooked for his breathtaking performance in Midnight Cowboy. Many might argue that John Wayne received the statue for his long and loyal service to the film industry, and perhaps there’s some truth to that as well.
Sinatra saved Cary Grant
Looking back at the archives, it’s clear that Cary Grant played a starring role during the 1970 Oscars. As the legendary actor took the stage to accept the Academy Honorary Award, he naturally expected some applause — a simple courtesy.
When the audience gave him a standing ovation, he was on the verge of tears.
”When everyone stood up, I was all at sea. I thought for a moment I was seeing things. I was so taken aback that I don’t know how I delivered my acceptance speech,” he later recalled.
Grant was on the brink of breaking down, overcome by the emotion of the moment. But just then, he spotted Frank Sinatra in the crowd, his eyes twinkling with a mischievous spark, and that quick glance was all it took to steady him.
”It pulled me together,” Grant said.
Elizabeth Taylor’s entrance
But let’s be honest, the real star of the 1970 Oscars wasn’t Cary Grant, Dustin Hoffman, or even John Wayne. As remarkable as they were, it was a 38-year-old beauty who truly stole the spotlight, captivating everyone at the Dorothy Chandler Pavilion in Los Angeles, California.
When Elizabeth Taylor stepped onto the stage to present the award for Best Picture, her entrance was nothing short of mesmerizing.
Her kindness and generosity contrasted sharply with the cutthroat nature of Hollywood. “Liz Taylor, no one ever as beautiful,” people would say, and it was true.
There was a genuine aura about her that drew people in.
Dressed in a stunning gown that hugged her tiny waist and highlighted her natural beauty — sans the heavy tan that was popular at the time — she left everyone in awe at 42nd Academy Awards.
And with her world-famous 69-carat Cartier diamond sparkling around her neck, it was clear that Elizabeth was not just an actress; she was an icon.
The truth about her diamond
Looking closely at the photos of Taylor from that night, it’s hard not to be captivated by the magnificent jewel around her neck.
Yet, few may know the story behind this iconic piece of jewelry. The Taylor-Burton Diamond, which glittered so beautifully against her skin, wasn’t just a glamorous accessory — it was a symbol of love, determination, and a bit of Hollywood drama.
Just days before April 7, 1970, the date of that year’s Oscars, the press was buzzing with anticipation, speculating on what Elizabeth Taylor would wear to the glamorous event.
Rumors swirled that she planned to dazzle the audience with her million-dollar diamond, newly set in a stunning necklace. For the privilege of showcasing this gem, Taylor reportedly paid a $2,500 insurance premium to three Australian companies — equivalent to about $20,250 today.
This iconic piece, known as the Taylor–Burton Diamond, weighed in at a breathtaking 68 carats and was a gift from her husband, actor Richard Burton.
A raving maniac
The original rough diamond, discovered in 1966 at the Premier Mine in South Africa, weighed 241 carats. Burton acquired the diamond during a visit to London, though not without a fight. Initially, the jeweller manufacturer Cartier had won the diamond at auction for a record-breaking $1,050,000, leaving Burton as the underbidder.
Furious over his loss, Burton turned into a raving maniac.
”I was going to get that diamond if it cost me my life or 2 million dollars, whichever was greater,” he declared.
Elizabeth, however, remained calm.
”Elizabeth was as sweet as only she could be and protested that it didn’t matter, that she didn’t mind if she didn’t have it, that there was much more in life than baubles, that she would manage with what she had,” Burton later wrote in his diary.
The day after the auction, Burton spent hours at a payphone in his London hotel, working with his lawyers to secure the funds to buy the diamond from Cartier — no matter the cost.
Their determination paid off, and the following day, the diamond was officially theirs for $1.1 million.
”I wanted that diamond because it is incomparably lovely … and it should be on the loveliest woman in the world,” Burton later said, cementing this iconic gem’s place in Hollywood history.
Bob Hope joke about Elizabeth Taylor
Comedian Bob Hope led some of the humorous presentation of films and actors nominated for the 42nd Academy Awards, bringing his signature wit to the evening.
As he acknowledged the distinguished guests in attendance, he quipped about Taylor, saying, ”I know Miss Taylor is here. I saw a Brinks truck parked outside.”
Richard Burton couldn’t help but chuckle at the clever nod to his wife’s exquisite collection of jewels.
The truth about her dress
The moment Elizabeth Taylor stepped onto the red carpet at the 1970 Academy Awards, it was as if time stood still.
The first thing that captured attention was the stunning color of her dress: a mesmerizing cornflower blue that danced between violet and lilac hues with every shift in the light — and the hundreds of flashing cameras capturing her every move.
The dress wasn’t just a piece of fabric; it was a masterpiece designed by Edith Head, meant to accentuate every inch of Taylor’s radiance.
For starters, the color choice wasn’t a coincidence. Designed by the iconic Edith Head, the gown’s shade was carefully selected to match Taylor’s own mesmerizing eyes. Taylor herself collaborated with Head, seeking an updated version of the dress she wore in the 1951 film A Place in the Sun.
The gown was more than just a fashion statement; it was a work of art. The plunging neckline perfectly framed the Taylor-Burton diamond, allowing the necklace to shine while accentuating her newly slim figure.
“It is designed to show off Elizabeth’s new, thin figure. It’s a soft, floaty, romantic chiffon. Over it, she has a soft, stole-cape to the floor in chiffon with a hood,” Edith Head told AP.
It was a look that would become etched in Oscars history, forever tied to the elegance and allure of Elizabeth Taylor.
Took a 10 minute bath
On the day of the event, Taylor’s beauty routine was reportedly refreshingly simple.
The celebrated movie star didn’t follow an elaborate skincare regimen; instead, she used a basic drugstore moisturizer.
Although she enjoyed doing her own makeup, she worked with a professional makeup artist for important occasions like the Oscars. Taylor favored a sheer foundation and soft blush, often using cake eyeliner for her eyes. Interestingly, she never wore false lashes, as she was naturally blessed with a double set of lashes.
”Elizabeth took a 10 minute bath at the end of her makeup application, to help set her makeup and relax a bit before the event,” a rep for House of Taylor told AOL.
Cried backstage
The celebrated star, one of the last of classical Hollywood cinema, had an important role during the 1970 Oscars — she was there to present the coveted Best Picture award.
However, chaos reigned behind the scenes.
Moments before her appearance, Richard Burton had just suffered a heartbreaking defeat, losing the Best Actor award to John Wayne. This marked the sixth time Burton had been nominated without clinching the iconic golden statuette, and the news hit Taylor like a thunderclap.
Devastated, she broke down in tears backstage, with witnesses recounting how the makeup artist had to rush to refresh her look before she could take the stage.
When she finally stepped onto the stage, her composure was shaky. You could see it in her eyes. As she appeared, a hush fell over the audience; you could hear a pin drop.
Despite her professionalism, the heaviness of her husband’s loss was clear as she announced the winner for Best Picture.
The man she loved had faced yet another loss, and it weighed heavily on her heart.
After-party
In his diary, Burton captures the essence of that magical night:
“Wednesday 8th: We went to the party afterward and sat with George Cukor, the Pecks, and the Chandlers (owners of the LA Times), but we were surrounded by scores of photographers who, to my delight, paid little attention to anyone else, including the winners. Barbra Streisand, who fancies herself a big star, was completely eclipsed.”
A glance at the countless photographs of Taylor from that unforgettable night makes it abundantly clear — she was the undeniable center of attention.
At the after-party, the actress and her husband was surrounded by a constellation of celebrities. Flashbulbs lit up their table like fireworks.
It was as if the paparazzi were also spellbound, struggling to focus on their task as they recognized the sheer magnitude of the moment. No longer were they mere photographers capturing dreams for glossy magazines; they found themselves entranced by the vision before them.
Many would argue that the greatest star of the 20th century shone brightest on that unforgettable night. On her left ring finger glittered yet another extravagant gift from her husband — the stunning 33.19-carat Krupp diamond ring, capturing the essence of her iconic allure.
So how did this magical night end for Taylor and her entourage?
”We got out with a great difficulty because of the hordes of photographers, visiting Gig Young, who won best supporting actor, en route, who was stoned but sweet. Hawn won the supporting actress, also as predicted. We couldn’t find Duke Wayne so came home, [. . .] Later still came Wayne himself also very drunk but, in his foul-mouthed way very affable,” Burton wrote in his diary.
As the curtains fell on the 1970 Oscars, one thing was abundantly clear: Elizabeth Taylor was the undeniable star of the night. She encapsulated everything that was magical about Hollywood in the 1970s: beauty, talent, and an unyielding spirit that transcended the screen.
Reflecting on her charisma and humility, it feels entirely fitting to celebrate her in this way. She was not just a phenomenal actress but a remarkable human being who captured the hearts of many.
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Little-known mistakes and bloopers in ‘Leave It to Beaver’
If only the world was more like this the show Leave It to beaver, the world would be a much better place.
However, even the sun has its spots, and Leave It to Beaver was not without its share of mistakes and lesser-known quirks behind the scenes.
Set a higher standard
Despite being centered around a fictional family, Leave It to Beaver set a higher standard of wholesome decency for Americans, contrasting sharply with other television programs that have progressively declined in quality since its airing.
The beloved American television sitcom captured the hearts of audiences during its original run from 1957 to 1963, becoming iconic for its portrayal of idyllic family values and wholesome humor.
To put it simple, the series was very well-written and funny as hell.
But now, let’s take a look at some hilarious moments that weren’t meant to make it on screen — what we call bloopers or goofs. There’s one particular scene that really surprised me; a scene that wasn’t edited out and features an unexpected blooper.
June Cleaver’s calendar
One well-known mistake, which I had never heard about until now, involves June Cleaver’s calendar. Over the years, the Cleaver household has been presented as the quintessential example of good housekeeping.
Every organized and well-planned home, of course, has a calendar to keep track of important dates. June Cleaver certainly had her calendar, but it seems they forgot to update the one hanging on the wall of the Cleaver home.
For those with sharp eyes, you can spot that June Cleaver’s calendar displayed incorrect dates in the episode The Poor Loser, from 1963. In fact, the show likely used a calendar from 1961.
In the same episode, Ward and Beaver are set to go watch a baseball game. During a close-up of the tickets, there’s a noticeable error: “Mayfield” is misspelled as “Mayfied” in the smaller print, even though it’s spelled correctly in the large print.
The fake bee
In earlier times, special effects were far from the efficient technology we have today, and filmmakers had to rely on more analog methods. For those of you who remember the episode The Silent Treatment, you might recall a scene where Beaver is painting a door and a bee suddenly takes an interest in him.
Naturally, using real bees posed significant challenges, so the production team resorted to a fake bee hovering on a string. If you look closely, you can clearly see the string bouncing around Beaver’s face!
“I got in a lot less trouble”
Jerry Mathers portrayed Theodore “Beaver” Cleaver and quickly became everyone’s favorite kid brother. The actor, who celebrated his 76th birthday in 2024, remains alive and well.
He has also been asked whether his off-screen personality mirrored any aspects of Beaver’s character.
“Well, I got in a lot less trouble,” he laughed. “But then again, I had a lot of people watching me all the time. Because when I was due doing the show, there were about 60 men and probably eight or nine women on the show these were lighting people and all the different things that they have to do to make a series. Between takes, when I wasn’t doing things, they would come out and we’d play — throw footballs, throw baseballs. It was like an extended family. There was a whole bunch of people, and they wanted me not to say, ‘I don’t want to be here anymore.’”
Jerry Mathers’ infamous audition
When it comes to Jerry Mathers, one can’t help but mention his infamous audition for the role of Beaver. He made quite the impression — let’s just say it was memorable.
“I came dressed in a Cub Scout uniform, so that should have been a big clue,” Mathers recalled.
The young boy was supposed to head to his Cub Scouts meeting right after the audition, and he wasn’t particularly enthusiastic about being there. However,he quickly impressed the show’s creators, Joe Connolly and Bob Mosher, with his natural charm, innocence, and ability to deliver lines authentically.
Mathers candidly expressed his concerns about missing his Cub Scouts meeting, which only added to his charm. The producers found his honesty refreshing and knew immediately that he was the perfect choice for the role.
Ironically, there wasn’t much time for scouting for Mathers after he landed the role of Theodore.
“We had to go to school for three hours a day, and it could be chopped up, because we’d go out and if they’d shoot the original, the long shot, and then we’d do closeups. You were jumping in and out of school all the time, and you’d come back 20 minutes later and you study for maybe another 40 minutes, and then you have to do another scene or whatever,” Jerry explained.
Negotiating genius
Jimmy Mathers was a trailblazer in more ways than one; he became the first child actor to negotiate a deal that entitled him to a slice of the merchandising pie from a TV show. Talk about smart business moves!
This savvy decision turned out to be quite the cash cow, as Leave It to Beaver continues to rake in revenue more than 60 years after its original run. Who knew that a show about a kid in a striped shirt and his misadventures could keep making money long after the final credits rolled?
Tony Dow was not the original Wally
Actor Tony Dow is best known for his role as Wally Cleaver, the quintessential All-American older brother to Theodore “Beaver” Cleaver and son of Ward and June Cleaver.
In the beloved series Leave It to Beaver, Wally navigates the ups and downs of teenage life, tackling relatable issues like dating while offering guidance to his more mischievous younger brother, Beaver.
Dow’s portrayal of Wally was nothing short of iconic; his charm, warmth, and relatable persona helped make Wally a household name. But did you know he wasn’t the first actor cast in the role?
The pilot episode originally featured Paul Sullivan as Wally Cleaver, but he was replaced because a sudden growth spurt made him appear too old for the role.
June Cleaver’s hidden scar
Barbara Billingsley, best known for her role as June Cleaver, will forever be remembered for vacuuming the Cleaver living room while impeccably dressed in high heels and pearls.
Her portrayal of parenting was characterized by calmness and respect, setting a new standard for family-oriented sit-coms.
However, there’s more to June’s trademark look than meets the eye. The actress wore her iconic pearls to conceal a surgical scar at the base of her neck that she preferred to keep hidden. As for the high heels, they were a practical choice to maintain height parity with her growing sons.
Did Jerry Mathers and Tony Dow get along?
Studying photos from the Leave It to Beaver set reveals the undeniable bond between Tony Dow and Jerry Mathers.
”Wally is the perfect big brother,” Jerry Mathers said in a 2006 interview with the Television Academy Foundation.
“He’s the champion basketball player, football player. He does everything right. He’s a huge letterman. He gets A’s on all his papers. Everyone loves him.”
Their connection shined through in their eyes and body language, showcasing the genuine emotions that made their characters resonate so deeply. It’s hard to portray such strong sibling dynamics without real feelings behind them.
For those curious, Tony and Jerry truly became best friends during filming and maintained that lifelong friendship.
Following Dow’s passing in 2022, Mathers expressed his grief, saying, ”He was not only my brother on TV, but in many ways in life as well. Tony leaves an empty space in my heart that won’t be filled.”
Jerry Mathers was not killed in Vietnam
Did you know that Jerry Mathers was once rumored to have died in Vietnam? Thankfully, that was just a false report.
The young actor was never in Vietnam. Although he attempted to enlist in the Marines, he was turned down due to concerns that sending him overseas could lead to negative publicity if anything happened to him. Instead, Mathers enlisted in the Air National Guard, where he spent his service time in the United States.
The most expensive episode
One of the most legendary episodes of Leave It to Beaver aired on May 5, 1961. In a memorable scene, Beaver climbs up to prove that there’s no soup in a giant cup on a billboard but accidentally falls in.
This particular episode had a production cost of $40,000, making it the most expensive of the entire series. It also became one of Jerry Mathers’ most memorable episode, as he struggled with a fear of heights.
Toilet on screen
Leave It to Beaver was groundbreaking in many ways. One of the show’s unique aspects was its focus on the children’s perspective, which allowed viewers to connect with the characters on a deeper level. Another significant feature was its ability to highlight everyday aspects of family life.
This was notably exemplified in an episode where Wally carries a toilet seat, marking a pivotal moment in television history.
Even if only the tank was visible, it was among the earliest programs to showcase a bathroom in any form. In the 1950s, networks were extremely hesitant to display bathrooms on television, let alone an actual toilet.
The first episode almost never made it on air
The first episode of Leave it to Beaver was banned from airing due to its content involving an alligator and the portrayal of a bathroom, which was not allowed on television at the time.
In the very first episode, Wally and the Beaver decide to buy a pet alligator. Jerry Mathers recalled, “We were going to put it in the toilet because we knew alligators needed water. At that time, you not only couldn’t show a toilet, but you also couldn’t show a bathroom on television. It was prohibited.”
The show’s producers battled with censors to include the bathroom scene, ultimately reaching a compromise to only show the back of the toilet tank. “That was a way that Leave It to Beaver actually set some precedents for the television industry: We were the first show to depict a bathroom,” Mathers explained, talking with Fox News.
No laughing policy
The show’s creators sought a gentle comedic tone, they preferred elicit chuckles rather than uproarious laughter.
This intentional choice played a significant role in shaping the show’s unique atmosphere, fostering a warm, family-friendly environment.
The producers believed comedy should stem naturally from the characters and their interactions, avoiding exaggerated jokes or over-the-top humor. As Tony Dow put it: “If any line got too much of a laugh, they’d cut it.”
As we wrap up our dive into the delightful world of Leave It to Beaver, it’s clear that this classic sitcom was more than just a reflection of family life in the ’50s and ’60s — it was a treasure trove of laughter, quirks, and unforgettable bloopers.
So, next time you settle in to watch an episode of Leave It to Beaver, remember to keep an eye out for those little moments, After all, who doesn’t love a good blooper? Here’s to the laughs, the memories, and the timeless charm of Leave It to Beaver! Feel free to share your favorite bloopers and funny facts with us on social media — we’d love to hear what made you chuckle!
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