Her childhood was unconventional as she grew up during the Blitz period. Years later, Joan thought it would be great to do a film about growing up with her sister during this era but her dream hasn’t come to fruition.
Even so, the actress said that as the war continued, she was just a child, unaware of the bombings. She would collect fragments of debris from the streets and store them in her cigar box each evening.
She narrated, “We would draw silly pictures of Hitler. We were evacuated 10 or 12 times. We would be in the tube stations, and people would be playing their harmonicas and singing.”
Despite the chaos, Joan Collins, who deeply loved her Anglican Briton mother, realized that she did not want to live the same life her mom lived. “Mummy was the 1950s housewife, very sweet and very docile,” she explained.
The actress had previously said that her mom, who died at the age of 52, died very young because she never spoke back to her husband.
oan also shared that “My father never held back. I saw him as a figure to look up to more than my mother. I loved her to death but I considered her to be weak and I hated all the clothes she wore.”
The actress’s mother consistently wore girdles, suspenders, stockings, tight bras, underpinnings, and corsets, which Joan disliked.
Joan, who took great care in her appearance, was voted the most beautiful girl in England by a photographers’ association when she was 18. The newspapers asked her dad what he thought about her daughter’s position, he replied, “I’m amazed. She’s a nice-enough-looking girl. Nothing special.”
At this point, Joan had departed from the Royal Academy of Dramatic Art (RADA), developed a passion for French existentialism, admired the singer Juliette Gréco, and dreamed of becoming a celebrated stage actress.
The focus on her appearance was even more as her film career progressed. Joan disclosed that in Hollywood, she faced daily verbal abuse.
She recounted how the makeup department gave her cruel nicknames, such as “Moonface” due to her baby fat and “Scrawny Legs” because of her thin legs. She remembered the department as a large group of women who were particularly harsh and unkind to her.
In 1955, when Joan was 22, she was cast in the biopic about Evelyn Nesbit “The Girl in the Red Velvet Swing.” Evelyn was considered the most beautiful girl in New York and Joan was to play her.
So, one day, Joan who was still in the Juliette Gréco character and thus had no makeup and was in jeans with scruffy hair, ran into her director Richard Fleischer. Richard told her, “Oh my God, I cannot look at you – you are so ugly. You cannot go around like that – put some makeup on, get your hair done, get a proper dress.”
Just like her career, Joan’s personal life also had its ups and downs. When she was 17, still a virgin, the actress went on a date with actor Maxwell Reed, aged 31. He spiked her rum and coke and raped her.
“I was 17, but I was the equivalent mentally of 12. We did not have sex education,” she noted. Shockingly, Maxwell became the actress’s first husband. When asked why she chose to marry her rapist, she answered, “Because I come from a generation where if you’re going to have sex, you get married.”
However, when Joan learned that Maxwell wanted to give her to older men for $12,710 a night as long as he could watch, she stood up for herself. After four years of marriage, the two divorced.
In her 20s, Joan lived with several men, including Sydney Chaplin and Arthur Loew Jr. She also had an affair with a married man who was eight years her senior. As much as the man was handsome, witty, and fascinating, Joan said the affair was utter hell and she never engaged in one again.
Hollywood men, including directors, also went after Joan. In her autobiography, “Behind the Shoulder Pads,” the actress revealed that she was offered the role of Cleopatra in Joseph L. Mankiewicz’s film on the condition that she got along well with Buddy Adler, the head of Fox, and the chairman of the board.
Joan, who was disgusted by how directors and producers, who were old men, took advantage of young actresses said no as she never wanted to be a part of that. The Cleopatra role was given to Elizabeth Taylor.
In the memoir, Joan also wrote about having an abortion when she got pregnant at 26 with her fiancé, Beatty, a 23-year-old aspiring actor. Beatty convinced Joan to abort the baby because it would derail their career. Years later, she agreed with him, noting that if he had a baby, she would have had to say goodbye to her acting career.
Joan went on to have three kids. She had her first two, Tara and Alexander with her second husband, Anthony Newley. Her last child, Katyana, is with her second husband Ron Kass.
The actress’s third husband was Peter Holm and she is now married to Percy Gibson. Joan announced that she was engaged to Percy in December 2001 and then the pair got married in 2002 at Claridge’s Hotel in London, in front of 175 guests.
The lovebirds, who have been together for over two decades, met when Joan was featured in a touring production of the play “Love Letters” in the US. The Peruvian-born theatre manager also helped Joan edit her novel “Star Quality.”
Many people talked when Joan and Percy Gibson got married because he is 32 years younger than her. Joan was asked to comment on their age difference and she said, “Well, if he dies, he dies.”
In 2023, Joan gushed about her marriage saying that she had found the right man in her current husband, “Oh yes, Percy and I have been married for 21 years and it’s just marvelous.”
Now, Joan is in her 90s but she still has the youthful charm and grace in her presence. When asked if she has had cosmetic procedures done, the actress simply said with a shrug, “If people want to think I’ve had surgery, then…”
Joan added, “You can tell [I haven’t] because I have lines and jowls. When I see women around my age I think: ‘Oh, really? My gosh, I look quite a bit…’ I think I look pretty good!”
The movie star is also needle-phobic and just couldn’t bring herself to have cosmetic work done on her. She attributes her good look, perfect complexion, and youthfulness to staying out of the sun.
She added that her mom taught her to moisturize her skin and use night cream, something she also taught her daughters. Joan’s lovely appearance still amazes her fans.
In April 2024, Joan enjoyed a fun photoshoot for the New York Times Fashion and Style section. She looked radiant in a white cardigan paired with an off-white cap and black trousers.
A fan, amazed by her look, said, “You are simply iconic, dear one, and stunning ♥️♥️.” Another admirer commented, “You always look so beautiful♥️.”
When she turned 90 in 2023, a fan shared a picture of Joan taken on the streets. The actress was in a modest flower dress styled with a white coat, a sun hat, and sunglasses. The fan captioned the post, “Happiest of birthdays to Dame Joan Collins, who turns 90 but easily looks at least 20 years younger.”
At 91, Joan Collins is content with both her personal and professional life. Retirement isn’t on her agenda, as she plans to continue working because of her passion for it.
She acknowledged that performing her one-woman show and staying in a different hotel each night was exhausting, but the enthusiastic audiences and her love for her work made it a rewarding experience.
DWTS Viewers Furious About This Contestant’s Sparkly Ankle Bracelet – See the Drama Unfold
Fans of *Dancing with the Stars* are upset after one of the dancers performed a mediocre cha cha while wearing a sparkly bracelet on her right ankle. What seemed like a simple accessory actually had a deeper meaning.
Despite the backlash, the dancer stood her ground, telling the quiet audience, “I’ve reinvented myself many times” and “this time I’m going to be a ballroom dancer.”
Keep reading to find out who this controversial performer is on the popular TV show!
Ezra Sosa faced a big challenge in season 33 of *Dancing with the Stars*, his first season as a professional dancer.
His partner claimed to have dance experience, but Ezra had his doubts. When asked about her background, he said, “She did ballet and modern,” then laughed and added, “I don’t think she did…”
Like many others, Sosa doesn’t fully trust what his partner says.
His partner, known as a “fake heiress,” was convicted of grand larceny after pretending to be a wealthy German heiress. She scammed many socialites and even some banks and hotels while living in New York.
Sosa’s partner is Anna Sorokin, who is also known as Anna Delvey. She was born in Russia and became famous after her crimes inspired the Netflix show *Inventing Anna*.
Delvey gained attention for defrauding people, banks, and hotels. The Netflix series features her story, with actress Julia Garner playing her role.
She was convicted of grand larceny multiple times in 2019 and was released from prison in 2021 for good behavior. However, after breaking the rules of her Visa, she was taken into custody by U.S. Immigration and Customs Enforcement (ICE) and placed under home confinement.
Now considered a flight risk, she wears an ankle monitor while she fights to stay in the U.S. and avoid being deported back to Germany, where she is a citizen.
On September 17, Anna caused a lot of controversy with her appearance on the first episode of the new season of *Dancing with the Stars*.
After Delvey was introduced as a “fashionista and entrepreneur,” she and Sosa took to the dance floor to perform a cha-cha to Sabrina Carpenter’s song “Espresso.”
They wore colorful outfits in shades of blue, purple, pink, and yellow. Delvey added a sparkly ankle monitor to her look.
During their performance, Delvey explained her unusual accessory, saying, “I overstayed my visa because I was in jail, so it’s kind of hard to leave.” She laughed and added, “I did serve my time… I’ve reinvented myself many times, and this time I’m going to be a ballroom dancer.”
The judges praised Anna Delvey’s efforts and expressed their surprise at her performance.
Derek Hough said, “I’m kind of lost for words. You actually have the ability to be a really beautiful dancer. Truly, you really do… I was surprised.”
Bruno Tonioli added a more playful touch, saying, “Reinventing Anna … yet again! And it could be working!”
Carrie Ann Inaba addressed the unusual silence in the studio, saying, “When you came out on the dance floor, there was a shift in the energy in this room. I imagine this is scary for you, and I’m not for or against anything you’ve done. But this is about your dancing here.”
However, fans were less kind. Many criticized her “robotic” moves and “miserable face,” while others were upset about the ankle monitor.
“Ankle monitors are not iconic. She should not be on this show,” wrote one user on DWTS’s Instagram page. Another added, “Felons should not be given any sort of spotlight.”
One commenter took issue with her title, saying, “Ooof. ‘Fashionista and entrepreneur?’ No… criminal.” On the DWTS Facebook page, another fan expressed, “Let’s glamorize an ankle bracelet. I’m disgusted.”
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