In a dramatic unveiling that has left the public and critics buzzing, King Charles III revealed his first official portrait since ascending to the throne, and reactions have been anything but tepid. As debates rage on social media and in art circles, it is clear that King Charles’ portrait is destined to be one of the most talked-about royal artworks in recent history.
The unveiling
Recently, King Charles III personally unveiled a new portrait of himself at Buckingham Palace, the first such portrait since his coronation. The Royal Family’s Instagram account shared an exclusive video of the unveiling, featuring the king himself presenting the artwork.
This significant new work will ultimately be displayed in Drapers’ Hall in London, adding to its historical art collection and offering the public a glimpse of the monarch’s regal presence.
There was an ongoing debate in the comments.
The unveiling sparked a heated debate in the comments section on the Royal Family’s Instagram post and other social media sites. Opinions were sharply divided, with some users harshly criticizing the artwork. Comments ranged from “That is hideous” and “Without sounding rude, this is the worst royal portrait I’ve ever seen” to “100% thought this was satire.”
One critic remarked, “The face is good, the rest is appalling,” while another noted, “I would have loved this if it was any other color than red. He really captured the essence of him in the face, but the harshness of the red doesn’t match the softness of his expression.”
Despite the criticism, there were also voices of appreciation, such as “A lovely portrait of King Charles! I love the way the muted background draws attention to his face!” The mixed reactions highlight the polarizing nature of the portrait and the strong emotions it has evoked among the public.
The artist
Jonathan Yeo, a prominent figure in the world of figurative painting, has earned widespread acclaim for his unique blend of traditional and experimental portraiture. Yeo’s distinctive approach involves a deep engagement with his subjects, allowing him to capture their essence beyond mere physical appearance.
His recent portrait of King Charles III epitomizes this philosophy. Yeo explained, “As a portrait artist, you get this unique opportunity to spend time with and get to know a subject, so I wanted to minimize the visual distractions and allow people to connect with the human being underneath.”
The meaning of the portrait.
A particularly striking element of Yeo’s portrait is the inclusion of a butterfly. This detail serves multiple purposes, both symbolic and compositional. Yeo elaborated, “Primarily a symbol of the beauty and precariousness of nature, it highlights the environmental causes the King has championed most of his life and certainly long before they became a mainstream conversation.”
The butterfly also provides a visual contrast to the uniform, softening the portrayal and adding layers of meaning. “In the context of art history, a butterfly often symbolizes metamorphosis and rebirth, paralleling the King’s transition from Prince to monarch during the period the portrait was created,” Yeo noted, further emphasizing the transformative phase in King Charles’s life.
Yeo expressed his gratitude and honor for being commissioned to create such a significant portrait. “It was a privilege and pleasure to have been commissioned by The Drapers’ Company to paint this portrait of His Majesty The King, the first to be unveiled since his Coronation.”
Yeo’s approach to portraiture aims to encapsulate the life experiences and humanity etched into his subjects’ faces. “I do my best to capture the life experiences and humanity etched into any individual sitter’s face, and I hope that is what I have achieved in this portrait,” he explained.
The challenge of portraying a figure as complex and significant as King Charles III was substantial, but one that Yeo found immensely rewarding. “To try and capture that for His Majesty The King, who occupies such a unique role, was both a tremendous professional challenge, and one which I thoroughly enjoyed and am immensely grateful for,” he concluded. The portrait, destined for Drapers’ Hall in London, stands as a testament to both the artist’s skill and the monarch’s enduring legacy.
Discover the lesser-known facets of King Charles III’s life in our compelling article, “8 Things About King Charles III That Will Allow Us to Know Him More Closely.” Dive beyond the regal exterior to uncover intimate details about his passions, personal experiences, and unique quirks.
Preview photo credit Kin Cheung / Associated Press / East News, theroyalfamily / Instagram, jonathanyeo / Instagram
I Thought I Knew My Mother Until a Hidden Birth Bracelet Revealed a Different Story – Story of the Day
I thought I knew everything about my mother until I found a birth bracelet in the attic. Not mine. The name on it revealed a secret that shattered my reality and sent me searching for the truth.
After my father’s death, the bond between my mother and me had frayed. With her Alzheimer’s erasing pieces of her every day, it felt as if I were navigating a maze of memories that weren’t entirely mine. The decision to place her in a care facility weighed on me like a lead blanket.
“It’s what’s best,” I whispered to myself, though the words felt hollow.
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I wasn’t equipped to give her the care she needed, but the guilt gnawed at me all the same.
Packing up her belongings was part of the process, though it felt more like dismantling her life piece by piece. I climbed the narrow steps to the attic and knelt by the nearest box, brushing away cobwebs before opening.
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I expected the usual: old photo albums or yellowed papers she hadn’t used in years. Instead, my hand froze as I pulled out a small, yellowed hospital bracelet.
The text on it blurred as I reread the name over and over:
“Baby Boy Williams, 12-15-83, Claire W.”
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My fingers trembled as I reached back into the box. There was a delicate baby blanket with the initials “C.W.” stitched into one corner. Beneath it was a black-and-white photo of my mother holding a baby. She looked impossibly young, her face glowing with love.
The back read: “My Collin, Winter 1983.”
I stared at the photo.
Collin? Who are you? My brother? And where are you now?
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***
I brought the bracelet and photo downstairs, holding them so tightly my knuckles turned white. My mother was in her favorite armchair, her frail frame almost swallowed by the oversized cushions. She stared out the window, her expression serene. To anyone else, she might have looked calm, at peace even. But I knew better. That stillness masked the fog of Alzheimer’s, the disease that had stolen so much of her mind.
“Mom,” I said softly, walking over and kneeling beside her. “I need to ask you something.” I placed the bracelet and photo on her lap, watching her eyes flicker toward them. For a brief moment, I thought I saw recognition in her gaze, but it passed as quickly as it came.
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Her fingers brushed over the photo, and she muttered something under her breath. “Sunlight… warm… chocolate cake,” she said, her words drifting into nonsense. “The flowers were so pretty that day.”
I felt my chest tighten. “Mom, please,” I urged, trying to keep the frustration out of my voice. “Who is Collin? Why didn’t you ever tell me about him?”
She didn’t answer. Instead, she rambled about a cat we never owned and a picnic that may or may not have happened. My hope started to crumble.
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I sank onto the floor beside her, exhausted. The bracelet and photo were still on her lap, untouched. I closed my eyes for a moment, trying to steady myself. Then, she spoke again, her voice clear and soft, like a distant echo of the mother I used to know.
“It was a winter morning,” she began, her gaze fixed on something I couldn’t see. “The sun was shining through the window. I named him Collin.”
My breath caught. I stayed silent, afraid to break whatever fragile thread had surfaced in her memory.
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“He was beautiful,” she whispered. “But his father took him away. Said it was for the best.”
Her words hit me like a wave. “His father?” I whispered. “Who is he? Why did he take Collin?”
Before I could ask more, her clarity slipped away. Her eyes clouded, and she began repeating, “The Bread Basket… The Bread Basket…”
“What does that mean, Mom?” I pressed gently, but she only repeated it like a mantra.
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***
I couldn’t stop thinking about Collin. I decided to go to the hospital where I was born, the only one in the city. My mother’s memory was unreliable, but being in a familiar place could trigger something.
“We’re going to the hospital where Collin was born,” I told her as I helped her into the car.
She looked at me, her expression distant. “Hospital? Why?”
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“You mentioned Collin before, remember? I need to know more about him.”
Her hands fidgeted in her lap. “Collin… I don’t know if I remember.”
“It’s okay,” I said, trying to sound reassuring. “Maybe being there will help.”
The drive was quiet, apart from her occasional murmurs.
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“Sunlight… winter mornings,” she whispered, staring out the window. “He had the softest blanket…”
When we arrived, the hospital looked just as I remembered it from my childhood—small, with its faded brick exterior and slightly overgrown bushes by the entrance. I helped Mom out of the car, and her eyes scanned the building as though trying to place it.
Inside, I explained our visit to the receptionist, who directed us to Dr. Miller, the head doctor.
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“Dr. Miller,” I began, once we were seated in her office, “I found this bracelet and photo. My mother… She had a son, Collin, two years before me. I need to know what happened.”
Dr. Miller examined the bracelet and photo, her expression softening.
“I remember Claire,” she said, looking at my mother. “She was so young when she had Collin.”
My mother shifted uncomfortably in her chair but said nothing.
“What happened to him?” I asked, leaning forward.
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Dr. Miller sighed. “Collin’s father came back into the picture after he was born, much older than Clarie. He wasn’t her boyfriend at the time, but someone from her past. He wanted to raise the baby himself.”
My mother’s head turned slightly, her eyes narrowing as if trying to follow the conversation.
“Claire was devastated,” Dr. Miller continued. “She loved Collin, but the boy’s father took Collin when he was just a few months old. He wrote to me for a while, asking for advice on caring for Collin. Then the letters stopped. But I do remember him mentioning he planned to move to another town.”
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“What town?” I asked quickly.
Dr. Miller jotted it down on a piece of paper and handed it to me. “Here. It’s about five hours from here.”
“Thank you,” I said, standing up. “This means so much to me.”
As we left, I couldn’t stop thinking about driving to that town. My brother Collin existed and I was determined to find him.
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***
The journey felt like an eternity, not just because of the five-hour drive but because every minute required my full attention. My Mom lost in her fragmented world, needed constant reminders and gentle guidance.
“Is it time to eat?” she asked, even after finishing a sandwich minutes earlier.
I patiently offered her small snacks, unwrapping them as though presenting a gift.
At one point, she handed me a yogurt with a puzzled expression. “How do you open this?”
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I smiled, peeling back the foil lid. “Like this, Mom. Just like you showed me when I was little.”
As I handed it back, a wave of emotion hit me. I remembered her delicate hands guiding mine as a child, showing me how to hold a spoon, tie my shoes, and even fold paper into makeshift airplanes. Back then, her patience seemed infinite.
Somewhere along the way, that connection had slipped away. But at that moment, it was as though the roles were reversed.
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We finally arrived in the quiet, sleepy town. It was like stepping into a picture from decades ago—small storefronts, weathered buildings, and not a soul on the streets.
I stepped out and stretched, glancing around with uncertainty.
“Where is everyone?” I muttered, more to myself than to my mother.
A passing man overheard and pointed down the road. “Town fair. Everyone’s there. You should check it out.”
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The fair seemed like the best place to start. If Collin lived in that town, he might be among the crowds. I helped my mother out of the car, her grip firm on my arm as we walked toward the colorful booths.
The scent of caramelized sugar and fried food filled the air, blending with the lively hum of laughter.
But as we moved deeper into the fairgrounds, my mother began to grow restless. Her voice, usually so soft, rose with urgency.
“The Bread Basket… The Bread Basket…” she repeated almost pleading.
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I stopped, kneeling slightly to face her. “What is it, Mom?”
Before she could answer, a vendor overheard and chimed in with a smile.
“Oh, The Bread Basket? That’s the bakery just down the street. Great choice!”
My heart skipped. That was it. With renewed energy, I guided my mother down the street to a quaint shop with a hand-painted sign that read “The Bread Basket.” The scent of freshly baked bread, cinnamon, and butter wrapped around us as we entered.
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At the counter, I asked cautiously, “Do you know anyone named Collin?”
The worker smiled knowingly. “Collin? He’s the owner. Let me get him for you.”
A moment later, a man emerged, wiping his hands on an apron. He was taller than I’d imagined, with a sturdy build and quiet confidence. But it was his eyes. Deep and familiar—they were my mother’s eyes.
For a moment, none of us spoke. Collin studied me with curiosity, and I felt the weight of the years and secrets between us.
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“My name is Mia, and this is my mother, Claire. I found a birth bracelet with your name on it among her things.”
Collin stared at me, his brow furrowing. “My name? From her?”
I nodded, feeling his confusion. My mother stirred beside me.
“David… The Bread Basket… He always said there’s nothing better than a basket of bread,” she murmured. “He promised me he’d name his bakery that one day.”
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Collin froze. “My God. David is my father.”
We moved to a small corner table, where I explained everything—the birth bracelet, the fragments of the story my mother had shared, and the path that had led me here.
Collin listened intently, his gaze flickering between me and our mother.
“It was his dream,” Collin finally said. “The Bread Basket… it was everything to him. And now, it’s mine too.”
The pieces began to align in my mind. The bakery was a connection that had survived decades of silence.
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We visited David the next day. Though frail, his eyes lit up the moment he saw my mother, a glow of warmth and shared memories filling the room. He took her hand gently, their bond needing no words.
“I thought it was best for everyone,” he said softly, his voice heavy with regret.
As the days passed, I watched them reconnect. I decided to stay, moving close to Collin’s bakery to help him and care for my mother.
For the first time, our family felt whole. Love had found its way back, stronger than ever.
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