Brenda Lee’s name may not be as recognizable as some of the other music stars from the 1960s but when you think of Christmas, you’ll know her song, and start humming her catchy tune, “Rockin’ Around the Christmas Tree.”
When Lee, now 78, first hit the stage, she wasn’t old enough to drive but her powerful vocals steered her “unprecedented international popularity” as the most successful female artist of the 1960s.
Lee, whose voice defied her diminutive stature at only 4 foot 9, became a fan favorite when she was only 12.
Brenda May Tarpley, born in 1944, got her start in the late 1940s, became huge in the 1950s, and over her career–that started before she left elementary school–she topped the charts 55 times, earning the title as the most successful female recording artist of the 1960s.
When Lee was only eight (according to Rolling Stone), her father, a construction worker, was killed at work and little Brenda–who then changed her last name to Lee–became the family’s primary provider.
Taking care of her younger brother, big sister, and mother–a cotton mill worker–was not a duty, but something she wanted to do. She said that she was thrilled when she made her first $20, so she could help her family: “Even at that young age, I saw that helped our life,” Lee said, adding “It put some food on the table. It helped, and I loved it.”
The Atlanta-born chanteuse, called a “pioneer of early rock and roll,” by the Georgia Encyclopedia, achieved “unprecedented international popularity in the 1960s.”
But, an incredibly humble human, Lee credits those who helped her achieve her dreams. When Christianity Today asked what she thinks about being a legend, Lee said “I don’t think of myself that way!” She continued, “I’m just a girl who’s been blessed to be doing what I’m doing, and there’s a lot of people who’ve sweated a lot of tears and put a lot of life’s work into me to be able to have my dream. So, if I’m a legend, then they’re legends, too.”
In 1956, the young girl joined country star Red Foley for a show at the Bell Auditorium near her home in Augusta, and she belted out “Jambalaya,” by Hank Williams.
She was then signed to appear on Foley’s Ozark Jubilee, a country music show, where millions of viewers fell in love with the sassy 12-year-old whose talent was developed well beyond her age.
In the same year, Lee signed with Decca Records, and the next year, she moved to Nashville, Tennessee, and fusing country with rhythm and blues–highlighted by her hiccupping vocals–she recorded early rockabilly classics like “BIGELOW 6-200,” “Little Jonah,” and “Let’s Jump the Broomstick.”
When asked if–when as a young girl–she was nervous performing in front of large crowds, she answered: “No, not really. Nobody ever told me to be nervous. The stage always felt like a hometown to me because I had been in front of people ever since I was 3 years old, singing to people. So it was a very comfortable spot for me.”
In 1957, Lee earned the nickname “Little Miss Dynamite” for her pint-sized powerhouse recording of the song “Dynamite,” and in 1958, fans heard “Rockin’ around the Christmas Tree,” a genre and generation-crossing holiday standard, released when she was only 13.
“I knew it was magical,” she told Rolling Stone.
Over the next couple of years, she charted with hits like “Sweet Nuthin’s,” “All Alone Am I,” and “Fool #1.”
Most of her songs, however, contradicted her experience as a young girl. Her mother didn’t let her date and she graduated high school not understanding the heartbreak of young love.
She was only 16 when she said “Love could be so cruel” in the song “I’m Sorry” and only 16 when she said “I want his lips to kiss me” in the song “I Want to be Wanted,” both back-to-back hits when she was still in school.
And when she turned 18, she met Ronnie Shacklett, whom she’s now been happily married to for 60 years.
Life on the road for Lee as a youngster had its difficulties. She celebrated her 12th birthday in Las Vegas and speaking with the Las Vegas Journal, Lee explained her loneliness.
“Of course, I wasn’t even allowed to walk through a casino, I was so young. So I didn’t even know what a casino looked like. They took me into the kitchen, then into the showroom. And then when my show was over, I was brought back out through the kitchen and back up to my room. Children weren’t allowed … in the casino area.” She continued, “There wasn’t anything to do in Vegas for a kid. The most fun I had was on the stage.”
Speaking on what she missed out on as a child, the award-winning Lee said, “Many times, I yearned to be with my friends rather than be out there on the road.”
Turns out she made new friends on the road, like with the music group that opened for her at a 1962 show in Germany. “I hung out with John,” she says effortlessly, speaking of John Lennon. “He was extremely intelligent, very acerbic with his jokes, just a gentle person. When I found out that they later said they were fans of my music, I was just floored.”
‘The Voice’ 2024 Headlines: Viewers ‘Surprised’ by Snoop Dogg’s Vocals & Gwen Stefani Criticized for Her Outfit
With a performance of the iconic Eagles song “Heartache Tonight,” the “The Voice” coaches—both new and old—opened Season 26, laying the groundwork for a thrilling new era and a highly anticipated debut.
The coaches this season of “The Voice” set the tone with a jaw-dropping performance that viewers won’t soon forget. Season 26 of the program is off to a roaring start. The coaches opened the season with a musical song in keeping with “The Voice” tradition, offering viewers a taste of what this dynamic new cast has in store.
The season already feels like a reinvention with an almost all-new coaching staff. Reba McEntire, who recently won Season 25, is back with newbies Michael Bublé and Snoop Dogg as well as seasoned Gwen Stefani.
And to start the celebration off right, they picked a rock classic by the Eagles, “Heartache Tonight,” to properly introduce themselves. The song was the ideal option for the coaches to show off their musical prowess. It was first released in 1979 as a part of the “The Long Run” album.
Snoop, looking dapper in a shiny black suit, strode from the audience and set the tone with his easygoing swagger. Then Bublé onto the stage, his crisp black tuxedo contrasting with his sweet, velvety vocals.
The chorus was given a vibrant twist by McEntire’s country voice, and Stefani, ever the pop queen, injected her trademark fun energy, making the combination an unforgettable moment. This performance served as more than just a premiere; rather, it made a statement: “The Voice” has entered a new age, and it’s bringing the heat.
Supporters React to Snoop Dogg’s “The Voice” Debut
Snoop’s much awaited coaching debut on “The Voice” has enthralled fans, who have been posting their thoughts on social media. Netizens are gushing over the iconic rapper, who is renowned for his easygoing style and easygoing demeanor, for trading his microphone for a judge’s chair.
With much enthusiasm, a fan said, “Snoop is holding his own. Though I wasn’t convinced he would make a good judge, I think he will.”
Snoop received acclaim not only for his performance but also for his stylish choices. “Love the jacket too,” a supporter commented.
Snoop’s flexibility, particularly his singing talents, surprised a lot of fans. A shocked commenter said, “I had no idea Snoop could sing!!!!!!” We’re acquainted as rappers.” As the praises continued coming in, one more admirer said, “Snoop has a fantastic voice. Very slick, exactly like him.”
Someone else expressed their excitement by saying, “I am SHOOKETH! Snoop provided some pretty amazing vocals for them.”
“Snoop’s singing voice was surprisingly good!” exclaimed other people. I thought he would rap.” “Well, Snoop surprised me too!” exclaimed a fan, expressing their excitement with the surprising talent. Who knew he had such a beautiful voice? Pleasant surprise.”
Naturally, there was also an abundance of affection for the musician himself: “I love me some Snoop! eager to watch his performance! Love Reba so much, too,” exclaimed someone.
Snoop has been building anticipation for his “The Voice” debut for months. Just four months prior to the 2024 Olympic Games in Paris, the rapper made an appearance on “The Tonight Show Starring Jimmy Fallon,” during which he expressed his excitement about serving as a coach for the show.
“If you know anything about me, you know I love all forms of music, so this is a great opportunity for me to show that I really understand music and, you know, be a real coach,” he stated to Fallon.
The renowned rapper also mentioned how excited he was to work with the other coaches and how willing he was to mentor artists. Snoop is causing a stir in season 26 not just for his mentoring but also for the presents he gives the competitors.
As a prize for his best musicians, he is giving out Death Row Records chains, an iconic homage to the hip-hop label he currently owns.
Jake Tankersley was one fortunate competitor who stole the show at the start of the season. After his amazing performance of Zach Bryan’s “Something in the Orange,” everyone turned over four chairs. He finally decided to appoint Snoop as his coach.
It’s already looking like one of the season’s most talked-about moments will be Snoop’s “The Voice” debut. Fans are excited for Snoop’s arrival because of his distinct coaching style, surprising singing abilities, and calm personality.
Gwen Stefani’s Outfit on ‘The Voice’ Has Fans Talking
Stefani is at the center of a fashion controversy, while Snoop is basking in the glory of his “The Voice” premiere.
Both admirers and detractors have weighed in on her ensemble on social media, with some not holding back their critical remarks.
“Why can Gwen never wear decent clothing?” a direct critic wrote. Is it a show for kids instead of only adults? It truly is repulsive. Someone else added age-related criticism, stating that Gwen was too old to be dressing like a teenager. It’s time to dress like a star with class, just like Reba did.
And someone else said, “Snoop and Reba are the best singing together,” in a backhanded compliment that quickly devolved into more shade. Gwen had to go dress like a sophisticated lady. Michael is doing well.
Not all fans were eager to attack Stefani, despite the negative feedback. Jumping to Stefani’s defense, one admirer said, “I think she has her own style and I think its beautiful,” showcasing her unabashed sense of flair.
Stefani has received criticism in the past for her daring fashion choices. Similar controversy arose from her attire during the July 19, 2024, Minnesota Yacht Club Music Festival, as many fans expressed strong thoughts about her audacious look.
Stefani was dressed in a ragged tartan suit that was pieced together from three mismatched plaids. She had on a black fishnet bodysuit underneath. Her distinctive deep red lipstick and black-and-white nails finished off the platinum blonde hairstyled in a high ponytail.
It’s interesting to note that Stefani previously wore same ensemble when she performed at The Theatre at Great Canadian Casino Resort Toronto in May of last year. Fans had varied feelings about her presence at the Minnesota event despite it being a rerun.
“The outfit is ridiculous, but when you have somebody her age trying to be 15, what do you expect?” asked one particularly outspoken reader. “Looks like rags got caught in the fishnet but she wore them anyway,” said another, echoing the idea.
Amidst the criticism, several praised Stefani’s audacious fashion sense. “Very current, love her look especially at her age,” wrote one fan. Wonderful .”
Another admirer complimented her sincerity, saying, “That’s her style. Well done for staying loyal to herself; trolls will always be trolls .”
Stefani’s style and social media presence have the ability to capture her following even in the face of public criticism. Stefani has not only reconciled with her fans on “The Voice” following her husband Blake Shelton’s resignation, but she has also once again been under the scrutiny of the fashion police.
Regardless of one’s feelings on her appearance, Stefani is unquestionably staying true to her style and marching to the beat of her own drum.
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