AuthorAvokadoReading5 minViews462Published by17.10.2024
Actress Lynda Wiesmeier gained notoriety for her roles in a few well-known movies.
However, one particular photo of her has drawn notice recently since it seems to offer a window into a bygone period.
Lynda Ann Wiesmeier, a blonde bombshell whose voluptuous form adorned the pages of Playboy Magazine, was born in Washington, D.C., in 1963
Her father was a doctor in the US Air Force, and Bitburg, Germany, was the starting point of her adventure. The family relocated frequently prior to Lynda’s eventual arrival in sunny Los Angeles. She also lived for a while in Bound Brook, New Jersey, where she established herself as a frequent Jersey coast sun worshipper.
starring in a zombie film
Lynda enjoyed working and being active, juggling three professions: acting, modeling, and office clerking in a medical facility.
Last motion picture
However, her last movie may have been the one that made people take notice of Lynda Wiesmeier. She was chosen to play Dianne in the zombie horror film Evil Town in 1987.
The film featured the renowned Dean Jagger in the lead role of an insane scientist searching for perpetual youth. His approach? making a medication synthetically from human pituitary fluid, naturally. Things got worse as he was extracting the fluid; the poor donors’ brainless zombies were the product of the process.
In an intriguing turn of events, Keith Hefner, the younger brother of Playboy founder Hugh Hefner, was also featured in Evil Town. With Lynda and Keith involved, the movie had a strong Playboy vibe.
Though the movie was scheduled to open in theaters on June 3, 1987, there was so much anticipation that several theaters opened their screens a day early, on June 2. Nevertheless, Evil Town fell short of expectations despite the hype.
It was derided by critics who labeled it a “silly horror film.” Cavett Binion of All Movie Guide noted that the picture was a mash-up of footage from previous movies, including a 1970s unfinished effort, and that former Playboy Playmate Lynda Wiesmeier “spiced it up with some gratuitous nudity.” Hurt!
Fortunately, Lynda Wiesmeier was destined for a little return. In the years after its debut, a specific scene from Evil Town has become extremely popular for unknown reasons.
It’s not, however, for the reasons that one might think.
Picture of Lynda Wiesmeier
Scott Hunter, an almost unknown actor, appears on screen with Lynda in this unforgettable scene.
This appears to be your typical 1980s photo at first sight. A young guy and lady are posing in front of a Dodge automobile while wearing iconic ’80s clothing. But if you examine more closely, you might find something surprising!
Lynda is wearing high-waisted white shorts with a bright red blouse that is intricately knotted at the waist, while the man is wearing dark shorts and a gray hoodie with multicolored patterns all over it. Back then, short shorts were all the rage, and Scott wore his with one of those ubiquitous corduroy shirts.
Their vintage attire is a lovely return to the 1980s for many, since it screams ’80s fashion. And it’s just this that makes people swoon over this picture.
The 1980s saw a large, vivid, and dramatic fashion trend that we embraced, including glam rock, punk, and preppy designs.
We could experiment with hair, cosmetics, colors, and an abundance of plastic jewelry along with other wild accessories. And because to Lynda and Scott, we can sometimes be transported back in time to this amazing era with just a simple shot from a lesser-known movie.
departed the field
Following her departure from the film business, Lynda decided to start a family and married her first husband. She went on to have two amazing children, a son and a daughter.
The family made their home in Lafayette, Louisiana, where Lynda started working as a records manager at a legal firm, according to Joyce’s Take.
But then things changed, and in 2004 Lynda, ready to start again, packed her bags and moved to sunny California following her divorce. Lynda loved her relationship with her followers, even as she moved on. She became well-known at several fan events, sharing her experiences and signing autographs, such as WonderCon, Glamourcon, and The Hollywood Collectors Show.
Reason for demise
Sadly, Lynda’s adventure came to an end in December 2012, at the age of 49, after a valiant fight with a brain tumor.
Considering what she could have said about her time in movies like Evil Town, a nostalgic snapshot of a bygone period in movies, is bittersweet.
We can still honor Lynda’s legacy and the happiness she gave her admirers despite her passing. If you too miss the 1980s, please share this article!
I Opened a Mysterious Door in My Cellar—Now I Regret Everything
I never believed in hidden doors or secret rooms; those were things from mystery stories. But when Florence and I decided to renovate our cellar, we found more than just a door behind the old wallpaper. It was something we were never meant to discover, and now, I wish I had never opened it.
You never truly understand a house until you’ve lived in it for some time. That’s what I always believed. Florence and I bought this old Victorian house five years ago. We called it our dream home. It had history, charm, and unique details, the kind of house with a past you could feel in every room.
When we started the renovation project, we thought we knew what we were getting into. The cellar was dark, damp, and unused. Peeling wallpaper and cracked tiles told us it hadn’t been touched in years. But we were excited about turning it into a useful space, maybe a wine cellar or storage room. That’s when we noticed something odd—a section of the wall that didn’t match the rest.
I never believed in hidden doors or secret rooms; those were things from mystery stories. But when Florence and I decided to renovate our cellar, we found more than just a door behind the old wallpaper. It was something we were never meant to discover, and now, I wish I had never opened it.
You never truly understand a house until you’ve lived in it for some time. That’s what I always believed. Florence and I bought this old Victorian house five years ago. We called it our dream home. It had history, charm, and unique details, the kind of house with a past you could feel in every room.
When we started the renovation project, we thought we knew what we were getting into. The cellar was dark, damp, and unused. Peeling wallpaper and cracked tiles told us it hadn’t been touched in years. But we were excited about turning it into a useful space, maybe a wine cellar or storage room. That’s when we noticed something odd—a section of the wall that didn’t match the rest.
In the back corner, we found something even stranger: an old wooden chest, covered in dust and cobwebs. It was locked, but the lock seemed weak, like it could easily break. Florence begged me to leave it alone, but I was too curious. I forced it open, and what I saw made my heart race.
Inside were old documents, letters written in a language I didn’t understand, and something wrapped in a faded cloth. When I unwrapped it, I froze. It was a small, strange object that didn’t belong in this world. Florence screamed and ran out of the cellar, terrified.
I should have followed her, but I was too deep into it. I put everything back in the chest and closed the door, but the feeling that something had changed wouldn’t leave me. Since that day, things have been different. Strange noises, cold drafts, and shadows moving where they shouldn’t.
Now, I regret opening that door. Florence refuses to go back into the cellar, and I can’t sleep at night. I don’t know what we uncovered, but I fear we’ve let something into our home that we can’t control. Every day, I wish I had just left the door hidden behind the wallpaper, where it belonged.
Now, the cellar remains locked. I’ve sealed the door with heavy boards, hoping that will keep whatever we disturbed at bay. Florence refuses to go near it, and our once happy home feels suffocating with the tension between us. It’s like the house itself has changed, like it’s watching us.
At night, I hear whispers coming from the floor below. I try to convince myself it’s just the wind or my imagination, but deep down, I know something’s wrong. The object I found in the chest haunts my thoughts—I’ve hidden it away, but it’s like it calls to me. Florence says I need to get rid of it, but I’m too afraid to touch it again.
I tried contacting the previous owners, but they didn’t know anything about the hidden room. They had lived here briefly before selling the house. No one in the neighborhood seems to know its history, and records of the house are vague. It’s like this part of the house was meant to stay forgotten.
I keep telling myself everything will be fine if I just leave it alone, but the strange occurrences are getting worse. Lights flicker, doors creak open on their own, and sometimes, I catch glimpses of something moving in the dark corners. It feels like the house is alive—angry that we disturbed its secret.
Florence is talking about moving, and maybe she’s right. But part of me knows that whatever we let out, whatever we disturbed, might not stay behind. And now, I wonder if sealing that door was just the beginning of something far more terrifying.
I never should have opened that door.
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