One of the last surviving stars of classic Hollywood has passed away: Mitzi Gaynor, the vibrant actress, singer and dancer who starred in South Pacific and other golden age musicals, has died at 93.
Gaynor’s managers managers Rene Reyes and Shane Rosamonda confirmed the news to AP, saying that the actress died of natural causes in Los Angeles.
“As we celebrate her legacy, we offer our thanks to her friends and fans and the countless audiences she entertained throughout her long life,” they said in a statement.
“Your love, support and appreciation meant so very much to her and was a sustaining gift in her life.”
Born September 4, 1931 in Chicago, Gaynor began singing and dancing from a young age and signed a contract with Twentieth Century Fox at 17. After making her debut in 1950’s My Blue Heaven, she quickly rose to become a star.
One of classic Hollywood’s biggest “triple threats,” Gaynor’s singing, dancing and acting talents, combined with her energy and charm, made her a big draw in many hit musical films of the era, and she co-starred with some of the biggest movie stars. Her memorable films include There’s No Business Like Show Business, Anything Goes, Bloodhounds of Broadway and Les Girls.
But Gaynor is best known for starring in the 1958 film South Pacific, the big-screen adaptation of the beloved Rodgers and Hammerstein musical.
In the lead role of Nellie Forbush, Gaynor performed classic numbers like “I’m Gonna Wash That Man Right Outa My Hair,” “A Cockeyed Optimist” and “A Wonderful Guy.” She received a Golden Globe nomination for her performance.
Gaynor made her last film appearance in 1963, but she reinvented herself as a live performer, to great success. Throughout the ’60s and ’70s, her act was a major draw in Las Vegas, and she had a series of lavishly produced television specials. She continued performing into her senior years.
Rest in peace to Mitzi Gaynor, one of the last surviving stars of golden age Hollywood who will always be remembered for her unforgettable performances in musicals like South Pacific.
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A Woman Goes to the Farm She Inherited from Her Grandfather, Planning to Sell It, but a Farmhand Blocks Her Path
This story has all the elements of a heartfelt, classic “return to roots” tale. Rebecca’s initial resistance to the farm, coupled with Derek’s strong attachment to it, creates a natural clash that allows for emotional growth and self-discovery. Her transformation from a city-focused businesswoman to someone who reconnects with her family’s legacy—and Derek’s passionate loyalty to the farm—are compelling, making readers root for the farm’s future and for Rebecca’s journey of self-awareness.
The way Rebecca’s past memories slowly bring her closer to the farm’s workers and her grandfather’s vision adds depth. The twist with Derek’s sabotage is especially interesting, giving him complexity as someone willing to bend the rules to prove a point. And her final decision to keep the farm suggests a newfound responsibility and a promise of new beginnings.
This is a story of healing, connection, and legacy that could inspire readers to think about the power of family bonds and the places we come from.
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