My Friend Kicked Me Out of His Wedding, His Reason Stunned Me

So, I sold it. The buyer, Ben, seemed like a good guy—enthusiastic about fixing up the place. We shook hands, and just like that, the house, along with its memories, was no longer mine.

A week later, I received a letter via courier. To my surprise, it was in my grandfather’s handwriting. The paper was yellowed with age, as if it had been sitting, waiting for the right moment to be delivered. My hands shook as I opened it. The message was simple but intriguing: “Check the basement of the house.”

Without wasting time, I called Ben. “Hey, it’s Alex. I need to come by the house—there’s something I need to check in the basement.”

Ben, a little puzzled but still friendly, replied, “Sure, come over. The basement’s just as you left it.”

When I arrived, I barely recognized the house. Ben had already started making improvements. The yard was cleared, and the house had a fresh coat of paint. He greeted me at the door, and we headed straight to the basement. It was still dimly lit and musty, filled with cobwebs and old furniture. Ben watched me search, amused but curious.

“You sure your grandfather wasn’t just messing with you?” he joked.

I was beginning to wonder the same thing. But then, I noticed a loose brick in the wall. Behind it was a small, dusty box containing old letters and a key. Ben peered over my shoulder. “What do you think that key unlocks?” he asked.

“I’m not sure,” I replied. But I had a feeling it was important. After thanking Ben, I took the box and key home, determined to figure out the mystery.

The next day, I returned to the house with a plan. As Ben opened the door, surprised to see me again, I made a bold offer. “Ben, I’d like to buy the house back.”

He raised an eyebrow. “Really? I thought you said it was a burden.”

Taking a deep breath, I explained. “At first, I thought selling was the right choice. But after receiving my grandfather’s letter, I’ve realized this house means more than I ever thought. It’s not just a building; it’s part of my family’s history, a legacy I need to preserve. I can’t let it go.”

Ben considered for a moment. “Well, I’ve already put in a lot of work. You’d have to offer more than what you sold it for.”

I knew this wouldn’t be easy. “How about five grand more?”

Ben shook his head. “Not enough. The market’s good, and I could sell it for a profit. How about twenty grand more?”

My heart sank. Twenty grand was a lot. But I couldn’t lose the house now. “Deal,” I said, though it hurt to agree.

Over the next week, I finalized the paperwork to buy the house back. During this time, I met Clara, a local historian with a passion for old homes. Over coffee, I shared the story of my grandfather’s house, and she was instantly intrigued.

“Your grandfather sounds incredible,” Clara said. “If you ever need help restoring the house or researching its history, I’d love to assist.”

I gratefully accepted her offer. Clara’s enthusiasm breathed new life into my project. Together, we spent hours sifting through old documents, photos, and memories, piecing together the story of the house and its significance.

Finally, with the house back in my name, I returned to the basement, key in hand. Moving aside an old wardrobe, I discovered a hidden door. The key fit perfectly. Behind the door was a small room, and in the center was a modest chest. My heart raced as I opened it, expecting treasure.

Instead, I found a letter in my grandfather’s familiar handwriting and an old poker chip.

The letter read: “I knew you would sell the house, you fool! I always taught you to honor your ancestors and remember your roots. Yet, you sold it off without a second thought. Let this be a lesson to you.”

At the bottom, in a playful tone, it said: “P.S. I put something in here, so here’s an old poker chip—worthless! Consider it a lucky charm.”

I sat there, the letter in hand, disappointed at first, but then understanding hit me. My grandfather, ever the trickster, had orchestrated this whole experience to teach me a valuable lesson. The house wasn’t just about property or money—it was about honoring the past and valuing what truly matters.

With a renewed sense of purpose, I decided to keep the house and turn it into a family retreat. What I once saw as a burden now felt like a treasure—a connection to my roots and a place where future memories would be made.

Over the months that followed, the house underwent a transformation. With Clara’s help, I restored it, blending its old charm with fresh beginnings. The house, once dilapidated, became a place of laughter and love—a symbol of family heritage.

As the final touches were added, Clara and I grew closer, spending more and more time together. The house wasn’t just a part of my past anymore—it had become a symbol of our future, a place filled with love, memories, and the lessons my grandfather had so cleverly imparted.

In the end, my grandfather had left me far more than a house. He’d left me a legacy, a lesson about family, roots, and the importance of holding on to the things that truly matter.

Joyce DeWitt’s Candid Confession Confirms What We All Suspected

Decades may have passed since Three’s Company graced our screens, but its laughter still echoes in our hearts.

With unforgettable characters and side-splitting misunderstandings, this classic sitcom revolutionized the genre. Now, Joyce DeWitt reveals what really made the show a timeless treasure…

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From the hilarious antics of three single roommates to the unforgettable performances of John Ritter and Suzanne Somers, Three’s Company remains a beloved staple of American television. It’s hard to believe it’s been 40 years since the series finale aired on ABC, yet its charm and humor still resonate today.

To illustrate how long ago Three’s Company became a hit, I just watched the intro. Seeing the shots from Santa Monica Pier during the show’s prime reminds me of how much has changed since they filmed there.

Sadly, neither John Ritter nor Suzanne Somers are with us anymore; both were taken from us far too soon. But keeping the spirit of Three’s Company alive is Joyce DeWitt, 75, who shares her vibrant stories and cherished memories from the beloved show.

”The most dear, precious, tender – and utterly unexpected – experiences that have come from working in ‘Three’s Company’ are the many, many adults who have told me that ‘Three’s Company’ was a safe haven they could count on during their teen years – for some, the only safe haven,” Joyce DeWitt told US Weekly.

Joyce DeWitt circa 1978. (Photo by Images Press/IMAGES/Getty Images)
Starring as Janet Wood alongside John Ritter and Suzanne Somers, DeWitt became a television icon and she was such a day brightener for millions.

She appeared in 171 episodes of the show between 1976 and 1984.

“It was such a gift. I mean, it was iconic. But who would have thought it?” Joyce DeWitt told The Spec. “All we were trying to do was make people laugh. When I think about it, the show was really an attempt to do a contemporary version of a 16th-century farce. It was about silliness running wild. I mean, we were talking about serious issues at times, but that was always somewhere underneath.”

“John Ritter used to say, ‘We don’t want people to just laugh but to fall over their couch laughing,’” she added. “The real issue was always the depth of friendship and the love those characters had for each other. That’s what drew people to them.”

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After Three’s Company ended, DeWitt stepped away from the spotlight for over a decade before making her comeback to acting.

Yet, no matter what she has accomplished or plans to do in the future, the vast majority will always connect her with that iconic show. And there’s a very simple reason for that, according to DeWitt.

“It was a ‘time out’ from the oppressive, challenging, difficult circumstances they were navigating in their young lives,” DeWitt says and adds:

“And, oh by the way, they say the characters also did stupid, crazy stuff that made them laugh. But it was the love, trust and support of the characters, one to the other, that made them lifelong fans.”

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When you look at unedited photos from the Three’s Company set, the camaraderie among the cast shines through, especially in the images of Joyce DeWitt and Suzanne Somers, who played the beloved Chrissy Snow.

Both actresses delivered iconic performances, portraying young women navigating a male-dominated industry. They contributed just as much to the show’s success as John Ritter, and in those early days, their smiles in photos tell a story of friendship and collaboration.

Yet, beneath the laughter, tensions simmered. While Somers was celebrated for her role as “the dumbest blonde in America,” her fight for equal pay created rifts that would grow over time. As she demanded a 500% salary increase — from $30,000 to $150,000 — her relationship with DeWitt became strained. The set, once filled with joy, was now fraught with conflict.

Somers had always viewed the show as a business among serious actors, and she realized that her approach annoyed her co-stars.

Somers was ultimately fired but had to finish the fifth season under strange circumstances. Isolated from her castmates, she filmed her scenes through bizarre phone calls, escorted by security. The tension escalated, leading to a heartbreaking split between Somers and DeWitt.

For over 30 years, they didn’t speak, a silence that seemed hard to reconcile when you viewed their early years together.

”They painted me as she’s trying to ruin the show,” Somers said in 2020. “So, I never talked to anybody on that show ever again. Ever again.”

Some speculated that DeWitt’s rivalry contributed to Somers’ exit, but it was ultimately the salary negotiations that drove a wedge between them.

Their differing circumstances — Somers as a single mother needing financial security versus DeWitt’s focus on her craft — further complicated their relationship.

“We had very different approaches to our careers,” DeWitt said of the relationship between her and Somers following the show. “We had very different needs. I did not have a child that I was supporting on my own. I didn’t have a business head, so I didn’t understand someone who did.”

However, in a beautiful twist, the two finally reunited in February 2012 on Somers’ talk show, Breaking Through. It was clear that they had buried the hatchet.

The former co-stars shared a heartfelt hug, and their open conversation about the past offered a glimpse of healing.

DeWitt expressed her deep respect for Somers’s accomplishments, saying, “You went up against ruthlessness, and it came down, but what you’ve gone on to do is immeasurable.” This moment highlighted the strength of their journey and the power of reconciliation. The two actresses remained friends until Somers’s tragic passing in 2023.

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In the interview with US Weekly, DeWitt spoke fondly of her late co-stars, paying tribute to their lasting impact. Reflecting on Somers, who passed away from breast cancer, DeWitt described her as ”absolutely wonderful.”

She also honored Ritter, who died in 2003 during heart surgery, calling him ”a true gift.”

As we revisit the photos from Three’s Company, we are transported back to a different, happier time—one brimming with laughter, friendship, and unforgettable moments. These images from the set not only celebrate the joy the cast brought to our screens but also highlight the enduring legacy they have left behind.

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RIP John Ritter and Suzanne Somers – gone but never forgotten!

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