Pamela Anderson’s recent choice to go makeup-free has become a topic of widespread discussion, reflecting her personal transformation. For years, she was known for her glamorous, carefully crafted image, a staple of her public persona since her rise to fame in the 1990s with shows like *Baywatch* and *Home Improvement*. But now, at 57, Anderson is embracing a simpler, more natural look, signaling a shift in how she wants to be seen and understood.
Anderson’s decision to step away from makeup, which became especially noticeable during her appearance at Paris Fashion Week in 2023, represents a larger movement in her life. She’s been candid about her desire to shed the pressures of the entertainment world that often prioritized beauty and glamour. In a series of interviews, Anderson described this as a liberating step toward accepting herself more fully and breaking free from what she felt was an overly constructed image. She referred to her past persona as a “cartoon character” and expressed a desire to live authentically, no longer defined by those past expectations.
Her shift toward natural beauty, though applauded by many, has drawn mixed reactions. Some fans and admirers praised her courage and willingness to challenge conventional beauty norms, especially as a woman who was once an international sex symbol. Many saw her new look as an inspiring move toward embracing aging and rejecting societal pressures. However, there were also critics who were less receptive, pointing out the visible changes in her appearance and how different she looks without makeup.
This latest transformation reflects more than just a physical change. It’s part of a broader journey for Anderson, who has spent the past few years focusing on personal growth, activism, and shedding the celebrity lifestyle that once dominated her life. From her high-profile marriages, especially her passionate but tumultuous relationship with Tommy Lee, to her commitment to animal rights and environmental causes, Anderson has always been in the spotlight. But now, her makeup-free approach signifies a quieter, more introspective phase of her life.
Pamela Anderson has shifted from being a glamorous icon to someone who embraces natural beauty, aging gracefully, and living authentically. Her journey is resonating with many who see her as a figure of resilience and evolution.
Australia’s adopted popstar son Leo Sayer reflects on his career
“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.
Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.
He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.
“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”
Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
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