Ah, the memories of days gone by. Do you recall those lovable wooden dolls that used to adorn your grandma’s clothesline? They were called dolly pegs, and they possessed a certain allure that is difficult to resist. In this article, let’s take a trip down memory lane and explore why these petite wooden companions still hold a special place in our hearts, even in the 21st century.
Dolly pegs are the adorable wooden clothespins that resembled miniature people. They had a head, a body, and a pair of tiny wooden arms. However, they were more than just laundry accessories in their time – they were a form of do-it-yourself art and a wellspring of boundless creativity.
Do you ever find yourself reminiscing about the good old days? Well, that is precisely why we are discussing dolly pegs now. These wooden dolls harken back to sunny afternoons spent playing in the backyard and helping out with chores. Remember giving them amusing names and creating epic adventures? Those were truly wonderful times, weren’t they?
One of the most fantastic aspects of dolly pegs is their versatility. You do not need to possess extraordinary crafting skills to transform them into something extraordinary. With some paint, fabric, and a dash of imagination, you can fashion personalized ornaments, fridge magnets, or even little companions for your desk. It is a marvelous way to stimulate your creative spirit without straining your wallet.
In a world brimming with flashy gadgets, it is refreshing to encounter something simple yet captivating. Dolly pegs offer a breath of fresh air for children. They provide a marvelous DIY project that fosters fine motor skills and encourages imaginative play. Furthermore, it presents an opportunity for them to disconnect from screens and allow their creativity to roam free.
But dolly pegs are not solely for the little ones – they can also infuse warmth into your home decor. Picture a delightful row of peg people hanging from a string, brightening your day each time you pass them by. It is a modest yet effective way to infuse your living space with character and charm.
So there you have it – the humble dolly pegs are reclaiming their place in the most delightful manner. They may be unpretentious, but their ability to trigger memories, ignite creativity, and evoke a sense of nostalgia is truly remarkable. So, why not dust off those old wooden pegs and embark on a journey of do-it-yourself delight? Sometimes, it is the simplest things in life that bring us the greatest joy.
Australia’s adopted popstar son Leo Sayer reflects on his career
“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.
Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.
He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.
“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”
Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
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