Among the few living real legends is Faye Dunaway.
The legendary actress, well-known for portraying strong, resentful, and challenging women, is among the best in movie history.
And the eighty-three-year-old continues on…
Dunaway is best known for her twisted cry in the campy cult film Mommie Dearest, “No more wire hangers!” She also starred in Hurry Sundown with Michael Caine and Bonnie & Clyde, winning the main part over Jane Fonda and Natalie Wood.
The Florida native actress, who was also awarded three Golden Globes and an Emmy, was born in Bascom.
It’s difficult to discuss Faye Dunaway’s career without bringing up the film Mommies Dearest. Channeling Joan Crawford’s energy, Faye Dunaway shocked the Mommie Dearest crew when she initially appeared from the dressing room in the legendary role of the four-year-old actress.
The sensationalized movie Mommie Dearest (1981) is based on Christina Crawford’s memoir of the same name, which describes her troubled connection with the late actress Joan Crawford, who was her adopted mother.
Dunaway managed to create a combination of charm and terror.
In her unsettling portrayal of Crawford, Dunaway blurred the boundaries between reality and resurrecting Joan, both on and off the set. She was so desperate that she declared, “I want to climb inside her skin,” to a Hollywood biographer.
Dunaway either developed her method acting skills to a high degree or her spirit took over. In her memoir, Looking for Gatsby, she writes. “I was told by one that it felt like Joan herself had risen from the dead.”
In reality, the media began to believe that Crawford was haunting Dunaway.”(Dunaway) appears to have borrowed it for 12 weeks from the ghost of Joan Crawford,” the Los Angeles Times remarked about her voice.
In a part that will live in legend, Dunaway expresses remorse. She told Entertainment Tonight, “I think it turned my career in a direction where people would irretrievably have the wrong impression of me—and that’s an awful hard thing to beat.” “I should have known better, but sometimes you don’t know what you’re getting into and you’re vulnerable.”
Working with some of the sexiest men in Hollywood, like Paul Newman, Robert Redford, Kirk Douglas, and Johnny Depp, Dunaway showed extreme self-control and maintained a platonic connection with her co-stars.
A few individuals were drawn to particular things; perhaps Jack (Nicholson) and Warren (Beatty), but not many. Though Steve McQueen was contentedly devoted to someone at the time, Warren was at that point in his bachelorhood. “I wouldn’t mess around with something like that even if it were offered, but it wasn’t,” Warren said.
“You simply don’t,” she remarked in a Harper’s Bazaar interview. “You don’t do that because you know it will ruin the performance and the movie. That’s my rule.”
The dapper, Italian award-winning actor Marcello Mastroianni, broke the rules for the timeless beauty with her delicate high cheekbones because he was too much of a temptation.
Life imitates art in her connection with the Italian celebrity. starring in the 1968 film A Place for Lovers, which Roger Ebert of the Chicago Sun-Times referred to as the “most godawful piece of pseudo-romantic slop I’ve ever seen!”-Dunaway portrays a fashion designer who is having an extramarital romance with Mastroianni, a race car driver. She had a brief but intense three-year romance with the actor in real life, which she ended when he refused to leave his wife.
Dunaway stated, “I was deeply in love with him,” in a People interview. I had never encountered a man like him before, and I felt incredibly safe with him.
She wed musician Peter Wolf, the lead vocalist of The J. Geils Band, in 1974; they separated after five years.
According to a Marie Claire article from 2017, Dunaway began an affair with renowned British photographer Terry O’Neill because she was dissatisfied in her marriage to Wolf. With her Oscar from the movie The Network on the table next to her, O’Neill captured a picture of her lounging by the pool at The Beverly Hills Hotel.
After being married in 1983, Dunaway misled the public for many years, claiming that her son Liam, who was born in 1980, was actually her biological child. In 1987, Dunaway and O’Neill were divorced.
Dunaway is alleged to be a manipulative diva who is very difficult and unpredictable for co-stars, production personnel, and even hotel employees.
She was fired from her role as Audrey Hepburn in the off-Broadway production of Tea at Five in 2019 for creating a “dangerous” and “hostile” environment, and she was fired by Andrew Lloyd Weber from his Sunset Boulevard production in Los Angeles, California, in 1994.
She was dubbed the “gossamer grenade” by one of her leading men, Jack Nicholson, and when Johnny Carson questioned her in 1988, “Who’s one of the worst people you know in Hollywood?” “Faye Dunaway and everybody you can put in this chair would tell you exactly the same thing,” was the swift response from the feisty and unrepentant Bette Davis. “I don’t think we have the time to go into all the reasons—she’s just uncooperative,” the woman said. For Miss Dunaway, Miss Dunaway is Miss.
Dunaway is still a very talented performer despite her challenging, frequently harsh, and nasty demeanor.
She was awarded a star on the Hollywood Walk of Fame in 1996, and in 1997, People magazine listed her as one of the 50 Most Beautiful People.
Regarding her romantic status, she is now single.
She stated in a 2016 People interview that she was still open to dating. She says, “I’m very much a loner.” “I always think that if I could find the right person, I would like to have a partner in life, and I would.”
Her most recent credit dates back to 2022, when she costarred in the Italian film L’uomo che disegnò Dio with Kevin Spacey.
MY HUSBAND SPENT OUR FAMILY’S SAVINGS FOR A CAR ON A PARIS TRIP FOR HIS MOM — SO I TAUGHT HIM A LESSON ABOUT FINANCES.
The weight of the betrayal settled in my stomach like a cold stone. Three years. Three years of sacrifice, of pinching pennies and foregoing simple pleasures, all for a car that would keep our family safe. And he’d squandered it. On a whim. On a trip to Paris for his mother.
David, bless his oblivious heart, seemed genuinely surprised by my reaction. He’d always been a mama’s boy, and I’d tolerated it, even indulged it, to a point. But this? This was beyond the pale.
“It’s my money too!” he’d protested, his voice rising in that familiar defensive tone. “She deserves it! You can’t put a price on gratitude.”
I’d simply stared at him, my mind reeling. Gratitude? What about gratitude for the sacrifices I’d made, for the countless hours I’d spent juggling work, kids, and household chores? What about gratitude for the safety of our children?
I knew arguing would be futile. He was locked in his own world of justifications, and I wasn’t about to waste my breath. Instead, I retreated, a quiet fury simmering beneath my composed exterior.
Over the next few days, I played the part of the understanding wife. I smiled, nodded, and even helped him pack his mother’s suitcase. I listened patiently as he recounted his mother’s excited phone calls, her plans for sightseeing and shopping.
But beneath the surface, I was plotting. I was determined to teach him a lesson about finances, about responsibility, about the true meaning of family.
First, I contacted his mother. I explained the situation, the crumbling van, the precarious state of our family finances. She was mortified. She’d always been a sensible woman, and she was appalled by her son’s impulsive decision. She offered to pay for the trip herself, but I declined. Instead, I suggested a compromise. She could still go to Paris, but for a shorter period, a weekend getaway rather than a full week. The difference in cost would be returned to our car fund.
Next, I tackled the issue of David’s “my money too” argument. I opened a joint account, separate from our everyday expenses, and deposited the remaining car fund, along with the money his mother had returned. I then created a detailed budget, outlining our household expenses, including the cost of a new (used) car. I presented it to David, highlighting the glaring discrepancy between our needs and his impulsive spending.
I also introduced him to the concept of “family meetings.” Every Sunday, we would sit down together, discuss our finances, and make joint decisions about spending. The kids were included, too, learning about the value of money and the importance of saving.
Finally, I decided to address the issue of his mother’s constant demands. I didn’t want to create a rift between them, but I needed to establish boundaries. I suggested that we set aside a small portion of our budget for gifts and experiences for both our families, to be agreed upon by both of us.
The changes weren’t immediate. David grumbled about the budget, about the “unnecessary” family meetings. But slowly, he began to understand. He started to appreciate the sacrifices I’d made, the careful planning that kept our family afloat. He even started to enjoy the family meetings, seeing them as an opportunity to connect with the kids and make joint decisions.
The day we drove our newly purchased (used) car home, David looked at me, his eyes filled with a mixture of regret and gratitude. “Thank you,” he said, his voice sincere. “For teaching me.”
I smiled. “We’re a team, David,” I said. “And teams work together.”
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