Tipping at nail salons can stir up more questions than answers. Some people see it as a non-negotiable part of the experience, while others believe it’s entirely optional. You might be wondering, “Am I obligated to tip, or is the service fee enough?”
Understanding the Role of Tipping in the Service Industry
Tipping is deeply ingrained in the service industry, especially in countries like the United States. It’s not just a “thank you” for good service—it’s a key part of workers’ income. Many service professionals, from restaurant servers to hair stylists, rely on tips to make ends meet. Nail technicians are no exception. While base wages may cover some expenses, tips often bridge the gap and make their work financially sustainable. But here’s the twist: tipping practices differ wildly based on culture and region.
Why Tipping Matters in Nail Salons
Nail salons operate in a space where the quality of service is personal and often intricate. A lot goes into a great manicure or pedicure—attention to detail, creativity, and the technician’s effort to meet your preferences. Tipping is more than just money; it’s a gesture of appreciation for their skill and dedication. For many nail technicians, tips aren’t just extra—they’re essential. Without them, many workers might struggle to meet their living expenses.
The Case for Tipping Nail Technicians
Supporters of tipping argue that it’s fair compensation for the technician’s effort. After all, it takes skill and care to deliver a flawless nail treatment. By tipping, you acknowledge their hard work and encourage high-quality service. Plus, a good relationship with your technician can lead to a better experience overall—kind of like how being a regular at your favorite coffee shop often gets you that extra smile (or an extra shot of espresso).
Why Some People Don’t Tip
On the flip side, some argue that tipping shouldn’t be necessary. They believe the service fee should already include fair compensation for the technician. Others feel tipping perpetuates an outdated system that places the responsibility for fair pay on customers rather than employers. There’s also the added pressure some clients feel, especially if they’re unsure about how much to tip or if they’re on a tight budget.
Tipping Norms Across Cultures and Regions
Tipping customs vary globally. In the United States, tipping is almost expected, particularly in the service industry. However, in many European countries, service charges are baked into the bill, and tipping is more of a bonus than a requirement. Meanwhile, in parts of Asia, tipping may not be customary at all. These differences mean that your perspective on tipping might be shaped by where you’re from or where you live.
How Much Should You Tip at a Nail Salon?
If you decide to tip, how much is enough? A standard guideline is tipping 15% to 20% of the service cost. For example, if your manicure costs $50, a tip between $7.50 and $10 is common. Exceptional service might warrant a bit more, while simpler treatments could mean tipping on the lower end of the scale. Ultimately, your budget and satisfaction with the service will guide your decision. Remember, tipping isn’t a one-size-fits-all rule—it’s about what feels right for you.
Alternatives to Tipping: Showing Appreciation Creatively
Not into tipping? That’s okay—there are other ways to show gratitude. A heartfelt “thank you” can go a long way, as can recommending the salon to friends or leaving a glowing online review. Consistently booking with the same technician shows loyalty, which they’ll likely appreciate just as much as a monetary tip. After all, who doesn’t love knowing they’re someone’s go-to?
Sharing Personal Perspectives on Tipping
Tipping at nail salons often comes down to personal experience. Some people swear by tipping, feeling it fosters better service and a stronger connection with their technician. Others may feel awkward or pressured, leaving them uncertain about how much—or whether—to tip. Sharing your perspective with friends or even your technician can open the door to understanding their expectations while finding what works for you.
Conclusion: To Tip or Not to Tip?
The tipping debate doesn’t have a one-size-fits-all answer. It’s personal, shaped by cultural norms, individual beliefs, and your own experiences. While tipping is an essential source of income for many nail technicians, it’s also okay to consider alternatives that reflect your appreciation in other ways. The key? Be kind, show gratitude, and find a balance that feels right for you. Whether you leave a tip or not, respecting the hard work of those who serve you is what matters most.
Vertigo Star Kim Novak Is Spending Her 91st Birthday with ‘Friends and Lots of Fudge’ (Exclusive)
Tuesday marks the 91st birthday for Kim Novak, the star of Alfred Hitchcock’s 1958 film Vertigo, who walked away from Hollywood over five decades ago.
“She’s spending her birthday having a picnic on her property with friends and lots of fudge,” says her longtime manager and close friend Sue Cameron.
Life is sweet these days for Novak, who lives quietly on the Oregon coast, surrounded by her beloved horses.
In honor of her 91st birthday, read on for an interview from 2021 in which Novak shared why she left Hollywood and found her true self.
:max_bytes(150000):strip_icc():focal(564x0:566x2):format(webp)/kim-novak-91-birthday-2-021324-db00ece17a544a71adef40001f6fabd0.jpg)
Over 50 years ago, Kim Novak, the enigmatic star of Alfred Hitchcock’s Vertigo, walked away from Hollywood. The woman who had once been the No. 1 box office draw in the world put her belongings in a van and drove north, first to Carmel, California and then two decades later to Oregon, to live her life as an artist.
“I had to leave to survive,” she tells PEOPLE. “It was a survival issue.”
“I lost a sense of who I truly was and what I stood for,” says Novak in a rare interview to talk about her new book, Kim Novak : Her Art and Life. published by the Butler Museum of American Art.
“I fought all the time back in Hollywood to keep my identity so you do whatever you have to do to hold on to who you are and what you stand for,” she explains.
“I’ve never done one of those tell-all books that they wanted me to do for so long, and I thought this is the kind of book I’d like to do,” she says of her art book. “Actually, I had written my autobiography and it was almost complete but I had a house fire and the house burned down and I made no copies. I just couldn’t go through it again because I had spent so much time. But it was okay because it was a catharsis just to do it.”
After starring in Picnic (1955) with William Holden, The Man With the Golden Arm (1955) and Pal Joey (1957), opposite Frank Sinatra, and Vertigo, with Jimmy Stewart, Novak was at the height of her career but still under the control of the studio.
As she writes in her book’s introduction, “I was both dazzled and disturbed to see me being packaged as a Hollywood sex symbol. However, I did win my fight over identity. I wouldn’t allow [Columbia Pictures chief] Harry Cohn to take my bohemian roots away by denying me my family name. Novak. I stood my ground and won my first major battle.”
Cohn wanted her to change her name to Kit Marlowe, telling her that audiences would be turned off by her Eastern European roots. She refused. In the late ’50s, she defied him again when she began dating singer Sammy Davis Jr. against his wishes and she fought to live her life as an independent woman.
“There was constant pressure to be seen and not heard,” writes Novak, “especially if you had a pretty face.”
“In Hollywood a lot of people assume who you are, because of the character you play, but also just because of who they expect you to be, how they expect you to dress,” she says. “It influences you because if you’re in some gorgeous sequined gown, you can’t run along the ocean and run on the beaches.”
:max_bytes(150000):strip_icc():focal(999x0:1001x2):format(webp)/kim-novak-2-101231c27b9c4df5a8faf795e92c9c13.jpg)
“I kept feeling like I was going deeper and deeper, lost in almost like a quicksand, where it’s swallowing you up, your own personality, and I’d started to wonder who I am,” she explains. “I realized needed to save myself.”
She found peace living and painting in the Rogue River Valley of Oregon and notes, “I needed the Pacific Ocean to inspire me, the animals, the beauty.”
“I wanted to live a normal life and a life with animals,” says the actress, who had always loved drawing and painting as a young girl growing up in Chicago. She was awarded two scholarships to the Chicago Art Institute before she was spotted by a talent scout on a trip to L.A. and her life changed course.
Once she left Hollywood, Novak returned to her twin passions: art and animals. “My teachers were the animals, not just dogs and cats, but other animals, horses and llamas, whom you have to meet half way, because they’re not ready to accept humans. I had to learn to win them over,” she says. “They understand a person who’s genuine so I had to become more real and that made me rely on my inner self — and that also encouraged me to paint. Everything seemed to flow from that.”
“You learn how to count on, not how you look, which is a big thing as a movie star, especially if you were recognized because of how you look,” she adds. “That can be a difficult thing when you change — but looks had nothing to do with it.”
She met second husband, Robert Malloy, an equine veterinarian, in the late ’70s, when he paid her a house call to treat one of her Arabian horses. She called him her “soul mate.” He died last December.
:max_bytes(150000):strip_icc():focal(653x0:655x2):format(webp)/KIM-NOVAK-jimmy-stewart-VERTIGO-2000-5dc2a42cbd04435a89e716959a51902d.jpg)
“I don’t feel 87,” says Novak. “I don’t keep tract of the time. If I did, I’d be an old lady and I’m not an old lady. I’m still riding my horse. I stay as healthy as I can.”
In 2012, Novak revealed she’d been living with bipolar disorder. “I don’t mind being open about who I am because these are all characteristics which make you who you are, especially as an artist,” she says. “Now, of course, I have medication for it but the best medicine of all is art.”
She’s proud of her favorite films, including Vertigo and Bell, Book and Candle (1958), and has fond memories, especially of her friend and costar Jimmy Stewart. Says Novak: “He didn’t let Hollywood change who he was.”
“People can remember me in movies but I want them to see me as an artist,” says Novak, whose paintings were exhibited at a 2019 retrospective at the Butler Museum in Youngstown, Ohio. “What’s great about painting is, you become the director too. No one’s telling you how to do it. You get to direct the whole thing.”
“I’ve been influenced a lot by Hitchcock in my work because he did mysteries and at first glance, I want my painting to be a mystery,” she says. “I love being the director, the producer, the actor in my paintings.”
“This is who I am. I want people to see I was not just a movie star.”
Looking back, Novak says, “I’m so glad I didn’t do the tell-all book, where you write all about your love life. That wasn’t who I was. This book tells who I am. I just needed to be free.”
Leave a Reply