Thomas Jeffrey Hanks (born July 9, 1956) is an American actor and filmmaker. Known for both his comedic and dramatic roles, he is one of the most popular and recognizable film stars worldwide, and is regarded as an American cultural icon.[2] Hanks’s films have grossed more than $4.9 billion in North America and more than $9.96 billion worldwide,[3]
making him the fourth-highest-grossing actor in North America.[4] Hanks made his breakthrough with leading roles in a series of comedies: Splash (1984), The Money Pit (1986), Big (1988) and A League of Their Own (1992). He won two consecutive Academy Awards for Best Actor, playing a gay lawyer suffering from AIDS in Philadelphia (1993) and the title character in Forrest Gump (1994).[5] Hanks collaborated with Steven Spielberg on five films: Saving Private Ryan (1998), Catch Me If You Can (2002), The Terminal (2004), Bridge of Spies (2015) and The Post (2017), as well as the World War II miniseries Band of Brothers (2001), The Pacific (2010) and Masters of the Air (2024). He has also frequently collaborated with directors Ron Howard, Nora Ephron and Robert Zemeckis.
Hanks’s other films include the romantic comedies Sleepless in Seattle (1993) and You’ve Got Mail (1998); the dramas Apollo 13 (1995), The Green Mile (1999), Cast Away (2000), Road to Perdition (2002) and Cloud Atlas (2012); and the biographical dramas Charlie Wilson’s War (2007), Captain Phillips (2013), Saving Mr. Banks (2013), Sully (2016), A Beautiful Day in the Neighborhood (2019), News of the World (2020) and Elvis (2022). He appeared as the title character in the Robert Langdon series and voiced Sheriff Woody in the Toy Story films (1995–2019). Hanks directed the comedies That Thing You Do! (1996) and Larry Crowne (2011), and acted in both.
I discovered that my husband switches from his SUV to an old, inexpensive car every day and drives off somewhere – so I decided to follow him
This story is such a raw, compelling journey from devastation to resilience. Diana’s strength in the face of such betrayal is heart-wrenching, but it’s also incredibly inspiring. The layers of her discovery—starting with the suspicion, then the confrontation with Brenda, and ultimately her choice to keep her children and Brenda’s son as family—capture the strength it takes to face an impossible situation and turn it into a chance for growth and solidarity.
Diana’s decision to forgive Brenda, despite the pain, and even work toward creating a sense of family between their children is a beautiful example of compassion triumphing over bitterness. It feels like she’s showing that real love, as she says, isn’t about grand gestures but the choice to keep going and hold on to what’s real, even when everything else is broken.
This story would make a powerful short story or even a novel about self-discovery and finding strength in the most unexpected places. Have you thought about expanding it, or maybe continuing to write about how Diana builds her new life post-divorce?
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