The debate about breastfeeding in public has been going on for a long time. Now, a young mother is making her point, and it’s making some people upset. Let’s find out more about her.
When a baby is hungry, they don’t care where they are. Some moms feel uncomfortable breastfeeding in public, but not this young mother. She believes it’s important to breastfeed her 17-month-old daughter wherever they are, even in public.
Trinati breastfeeds her toddler openly, but not everyone around her is okay with it. She often gets strange looks, and sometimes store employees even ask her to breastfeed in a closet.
Broom closets aren’t good places for feeding babies. Trinati didn’t like it, so she did something about it. She had her son take a picture of her breastfeeding her baby daughter at Costco. She said, “I always give my kids what they need, no matter where we are.”
Trinati doesn’t just get looks from strangers. Even her friends and family ask, “How long will you do that?” She always says, “As long as she needs me!” Sometimes they joke she’ll breastfeed until her daughter goes to kindergarten!
Trinati is tired of people making breastfeeding seem sexual or judging her for it. She said, “Really? Have you seen breastfeeding? My nipples don’t look like anything to fantasize about! Ha!
Trinati continued, saying, “These are basically udders right now. Get over yourself! I’m not trying to steal your man or lady with these bad girls! To me, they have become so far from feeling like a sexual part of my body. Right now they belong to my child for nourishment, both physically and emotionally.”
She wants to raise awareness about breastfeeding being something to nourish a child and in no way be something sexual.
“I don’t expect all men or those who have never breastfed to understand the ways in which mothers have the endurance to deal with nipple-pinching or straight-up acrobatics while breastfeeding,” she explained. “I have received the strangest glances and awkward giggles when people watch my 1.5-year-old standing on my lap while suckling … sometimes on one leg!”
To make breastfeeding in public normal, she took a picture of herself breastfeeding her toddler. She wanted to show how mothers always care for their kids, no matter where they are.
“I had my son take that photo of us in Costco because I never want to forget (and [I want to] show my daughter in the future) the lengths we, as mothers, will go to when ensuring our kids are well looked after no matter the situation,” she said.
“My baby’s needs come waaaaaay before anyone else’s attempts to make me feel inappropriate for this sometimes-public act of nourishing and/or comforting my children,” she wrote in the caption for the Instagram post.
She wants her children to know they are always her top priority, no matter what others think.
“Trust is important for good relationships and it starts with the care we get as kids,” she said. “Breastfeeding shows my children I care, so I won’t feel ashamed for doing it in any place.”
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Australia’s adopted popstar son Leo Sayer reflects on his career
“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.
Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.
He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.
“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”
Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
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